by R. R. Reynolds ‧ RELEASE DATE: Jan. 8, 2015
Like Charlaine Harris’ Midnight, Texas saga this is cutting-edge genre fiction that will appeal to genre fans as well as...
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This rousing sequel to Reynolds’ debut novel (Masters’ Mysterium: Wisconsin Dells, 2013) continues a paranormal fantasy saga chronicling the epic battle between angels and demons and the humans entangled in their war.
After what happened in Wisconsin Dells, the world now knows of the existence of angels and demons. With the ladder (the angels’ means of traveling to and from Earth) in Wisconsin Dells destroyed, the primary mission for the humans involved in the angels’ plight—like former waitress Trudy Masters and her husband, Gavin, who now has the ability to heal others with his touch—is to somehow quietly relocate an entire town to a new location: Calamity, Nevada, 30 miles outside of Sin City. But setting up a ladder in Calamity proves to be a dangerous venture, especially when a group of Vegas demons attempts to manipulate the situation to its advantage. The already volatile situation becomes even more complicated when Trudy’s father—who owns the museum of oddities known as Masters’ Mysterium—literally makes a deal with the devil. This saga is simply extraordinary on several levels. Reynolds takes the angels-vs.-demons genre—one filled with mind-numbing stereotypes and clichés—and creates a profound new mythos. His vision is unique, his characters well-developed, the pacing relentless. It’s paranormal fantasy, yes, but that shouldn’t dissuade readers disinterested in the genre. Powered by utterly readable writing and a diverse cast of characters for whom readers will undoubtedly cheer, this novel isn’t so much about angels and demons as it is about the people ensnared in the conflict and their own intimate journeys of self-discovery.
Like Charlaine Harris’ Midnight, Texas saga this is cutting-edge genre fiction that will appeal to genre fans as well as mainstream fiction readers. It’s a storytelling tour de force no matter the categorization.Pub Date: Jan. 8, 2015
ISBN: 978-0988679733
Page Count: 336
Publisher: Masters' Mysterium Press
Review Posted Online: May 20, 2015
Kirkus Reviews Issue: June 15, 2015
Review Program: Kirkus Indie
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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