A unique storyline, a dose of suspense, and a circle of intelligent female friends enhance a successful romance.
An artist preparing a huge exhibition is disheartened when her business partner absconds with her money, but the event introduces her to an aristocrat who ultimately becomes her greatest ally against a shadowy enemy.
Artist Lena Frost is a survivor. She’s survived a weak father and a difficult stepmother. She survived in France during Napoleon’s war. She’s even rebounded from her lost career when she finally had to flee France after having been betrayed. Now she’s spent three years preparing a huge exhibition, which is the talk of London. So when her trusted business partner disappears with all her funds just two weeks before the gala opening, she’s nearly defeated. Especially when he leaves her an enigmatic message implying she’s in danger. But she can’t give up: “She would have to reinvent herself again. The very thought of it made her almost weak with despair.” Fearing she’s being followed, she winds up at The African’s Daughter, a bookshop owned by her Anglo African friend Constance Equiano, who introduces her to the Muses, a group of aristocratic ladies who meet monthly at the shop. Through them, she meets Lord Clive Somerville, brother of the Duke of Forster and the Regency equivalent of a forensic pathologist. When it becomes clear that someone is trying to kill Lena and more than one of her exhibition artists has disappeared mysteriously, Clive vows to keep her safe, help her open the exhibition, and discover who’s behind the threats. Author Miles continues her smart, intriguing Muses Salon series (Jilting the Duke, 2016, etc.) with another bright, accomplished heroine who fights for her happiness with an unexpected perfect match.
A unique storyline, a dose of suspense, and a circle of intelligent female friends enhance a successful romance.Pub Date: Oct. 29, 2019
ISBN: 978-1-4201-4656-1
Page Count: 384
Publisher: Zebra/Kensington
Review Posted Online: Sept. 22, 2019
Kirkus Reviews Issue: Oct. 1, 2019
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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