DeWoskin creates a compelling voice for Judy and performs neat literary magic, confronting the stereotypes of teen fiction...
DeWoskin (Repeat After Me, 2009, etc.) combines two reality-TV staples—teenage sex scandals and little people—in this story about a gifted high-school junior whose struggle to fit in is compounded by her height (3’9”).
Judy—short but a gifted writer with a huge singing voice—has just transferred from public high school to Ann Arbor’s elite Darcy Arts Academy. She’s not sure if the popular Darcy kids—beautiful, seemingly friendly Ginger in particular—are mean girls and mindless hunks or just adolescently neurotic, but Judy quickly makes two genuine if nerdy friends. She also develops an immediate crush on Jeff, who moved to town only a year ago and seems nicer than the other kids in his crowd. Soon after he talks to Judy flirtingly at a Halloween party, Ginger comes over to Judy’s house and warns her that Darcy boys can’t be trusted. But when Jeff offers Judy a ride home one day shortly before Thanksgiving, she can’t believe her luck. They have sex. She’s sure she is in love although he does not treat her like a girlfriend in public, so she doesn’t tell anyone. They continue to have occasional sex until the February night he asks her over and tells her about causing his younger sister’s death when he was drunk. They end up drinking with two of his friends. Judy wakes up at his house the next morning naked, with no memory of what happened. Soon enough she learns that a tape is circulating at the school showing her having sex with all three boys. Because of her height, she is considered “handicapped,” and everyone considers her a tragic victim, making her humiliation worse. She tells her story while hiding in a seedy motel until she is ready to return home to her loving family and friends.
DeWoskin creates a compelling voice for Judy and performs neat literary magic, confronting the stereotypes of teen fiction even as she uses them to pull the readers’ heartstrings.Pub Date: April 5, 2011
ISBN: 978-0-374-11257-8
Page Count: 304
Publisher: Farrar, Straus and Giroux
Review Posted Online: Dec. 29, 2010
Kirkus Reviews Issue: Jan. 1, 2011
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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