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THE SOLDIER

Second-novelist Binstock follows the elegant Trees of Heaven (1995) with a disheveled exploration of weighty matters: familial attachment and loss, and the complex architecture of a writer's inner world. Phillip, a talented but lonely 46-year-old novelist, has agreed to allow his 23-year-old cousin Jennie—on the rebound from an abusive relationship—to come stay in his quiet New Hampshire home. The kind of writer who stores his manuscript-in-progress in a safe deposit box, Phillip has analyzed the fragile magic that results in finished pages, and he's sent past lovers away out of deference to his work. So he watches himself in dismay as he takes increasing pleasure in his attractive cousin's company and her admiration. As the sexual tension builds, other characters' stories intervene: There's Jane, a local apple-grower who loved Phillip and still mourns the end of their relationship. There's the ghost of Bertha, the previous owner of Phillip's house, who hovers about, spying. And there's Sutherland, a character in Phillip's novel, a soldier of pained sensibilities, suffering as his tattered company fights the Civil War. After much mutual circling, Jennie proposes sex and the cousins find bliss in each other's beds. But troubles loom: Phillip's moodiness emerges, Jane contacts Jennie, and Jennie's violent ex arrives still in the throes of obsession. While these matters develop, there's much to admire here: Binstock's prose is spare and graceful, and he skillfully weaves multiple perspectives into something resembling a cohesive whole. Phillip is complex and always interesting as he self-consciously attempts to keep hold of a vocation that defies conscious control and a present shaped by past losses. Jennie, however, is a flat and platitude- spouting character; the result is that the central love story lacks ballast. Still, between Binstock's stylistic virtuosity and the ample psychological insights lodged in Phillip's story—and in those of many of the marginal characters—there are substantial rewards in this ambitious if flawed novel.

Pub Date: May 16, 1996

ISBN: 1-56947-059-6

Page Count: 282

Publisher: Soho

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1996

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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