NICHOLAS

A favorite in France for decades, these 19 tongue-in-cheek tales of daily life as seen through the eyes of an uncritical young everylad will elicit bursts of laughter from children and adults alike. Writing in long, breathless sentences and liberally applying his favorite word, “fantastic!,” Nicholas sunnily recounts a series of quotidian experiences, from his all-boy school’s tumultuous Class Picture Day to disastrous visits from a new School Inspector and a local politician, from a forced playdate with a wimpy, teacher’s-pet classmate to an unhappy encounter with a cigar. Goscinny, better known as a co-creator of Asterix the Gaul, adds violent but somehow non-traumatic melees to each standalone episode, pokes gentle fun at the grownups and closes nearly every chapter with a droll twist. Liberally endowed with Sempé’s tiny, comic cartoon figures, these whimsical mini-adventures will captivate readers who missed their first go-round in English, The Chronicles of Little Nicholas (1993). At least one sequel is scheduled. (Fiction. 9-11)

Pub Date: July 1, 2005

ISBN: 0-7148-4529-9

Page Count: 160

Publisher: Phaidon

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 2005

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Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.

HOW TÍA LOLA CAME TO (VISIT) STAY

From the Tía Lola Stories series , Vol. 1

Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán. 

When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)

Pub Date: March 1, 2001

ISBN: 0-375-80215-0

Page Count: 160

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote...

COYOTE TALES

Two republished tales by a Greco-Cherokee author feature both folkloric and modern elements as well as new illustrations.

One of the two has never been offered south of the (Canadian) border. In “Coyote Sings to the Moon,” the doo-wop hymn sung nightly by Old Woman and all the animals except tone-deaf Coyote isn’t enough to keep Moon from hiding out at the bottom of the lake—until she is finally driven forth by Coyote’s awful wailing. She has been trying to return to the lake ever since, but that piercing howl keeps her in the sky. In “Coyote’s New Suit” he is schooled in trickery by Raven, who convinces him to steal the pelts of all the other animals while they’re bathing, sends the bare animals to take clothes from the humans’ clothesline, and then sets the stage for a ruckus by suggesting that Coyote could make space in his overcrowded closet by having a yard sale. No violence ensues, but from then to now humans and animals have not spoken to one another. In Eggenschwiler’s monochrome scenes Coyote and the rest stand on hind legs and (when stripped bare) sport human limbs. Old Woman might be Native American; the only other completely human figure is a pale-skinned girl.

Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote tales. (Fiction. 9-11)

Pub Date: Oct. 3, 2017

ISBN: 978-1-55498-833-4

Page Count: 56

Publisher: Groundwood

Review Posted Online: July 2, 2017

Kirkus Reviews Issue: July 15, 2017

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