Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Next book

THIS DOESN'T HAPPEN IN THE MOVIES

A promising start to a good-humored mystery series worth following.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

The promising kickoff to Pawlish’s comic mystery series, starring far-from-perfect PI Reed Ferguson.

The story starts on a somewhat rough note, with the oft-parodied moment in any noir detective story when a beautiful woman walks into the office and tells a suspicious story about why she needs help—she thinks her husband’s dead and wants to find him. From the beginning, Pawlish works hard to establish the comic tone in Ferguson’s first-person voice, which, in addition to the disingenuous ingénue, Amanda Ghering, keeps the opening scene from becoming too familiar. Fortunately, Pawlish’s light touch for comedy doesn’t get in the way of the mystery. It turns out that Ferguson, a trust-fund kid trying to establish his independence, has never worked a case. He’s a big fan of noir films, though, and references them constantly. Pawlish relies on those references too much at first, but once the story gets rolling and Ferguson is fleshed out, they become a natural part of his thought process, illustrating his novice status in an entertaining way. Pawlish also earns high marks for plot construction, with twists and turns naturally unfolding as Ferguson, inexperienced but not incapable, feels his way through the case. There’s one notable exception in the climax, however, when a character suddenly appears out of the blue, though it doesn’t sink the story. Pawlish has a good eye for the smaller details, and she’s built a fantastic cast of supporting characters—including Ferguson’s goofy neighbors and especially his computer expert friend Cal—that’ll give readers something to look forward to in future installments of the series. In a nifty bit of worldbuilding, the characters, who never feel tacked on, each help reveal some aspect of Ferguson’s personality while filling out the story. Even the regular phone calls from his mother don’t interrupt the story’s flow.

A promising start to a good-humored mystery series worth following.

Pub Date: Nov. 3, 2011

ISBN: 978-0982705612

Page Count: 226

Publisher: CreateSpace

Review Posted Online: Feb. 22, 2013

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 56


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Next book

A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

Awards & Accolades

Likes

  • Readers Vote
  • 56


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Categories:
Next book

SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
Close Quickview