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CODE OF CONDUCT

Intriguing subject, terrible execution.

A novel of romance and intrigue from former Marine Merritt (Secrets of a Gay Marine Porn Star, 2005).

Don, a Marine, and his best friend Eddie, a sailor, are part of a closely knit group of gay men and women in uniform. These individuals have made careers for themselves in the military, and the life they have chosen means they must keep an essential part of themselves a secret from all but their closest friends who share that secret. But it’s 1993, and there’s a glimmer of hope on the horizon: Bill Clinton has just been inaugurated, and he’s promised to end the ban on gays in the military. Don’s circle of friends has other reasons to be optimistic, too. Eddie is just beginning to emerge from the despair that overwhelmed him when he lost his lover to AIDS, and Don has embarked on an exciting new relationship with the sweet and handsome young Patrick, a marine eager to finally embrace his sexuality. But the happiness Don and his friends experience is short-lived. Clinton’s promise turns into the compromise of “Don’t ask, don’t tell.” And the gay marines and sailors of San Diego face a more immediate threat in the form of Jay Gared, an agent for the Naval Investigative Service who will do anything—anything—to expose homosexuals in the military. Merritt makes a persuasive case when he argues that a policy meant to foster cohesiveness actually creates a class of servicemen and servicewomen who can never wholly trust their brothers and sisters in arms. And his depiction of the crushing disappointment and sense of betrayal felt by many gays in the military when Clinton was unable to deliver on his pledge is poignant. But the narrative is a mess. The main characters are flimsy and Agent Gared, the villain, is a cartoon. The plot is both overblown and underdeveloped. The dialogue is, more often than not, painfully stilted, and the pace is frequently excruciating.

Intriguing subject, terrible execution.

Pub Date: Jan. 8, 2008

ISBN: 978-0-7582-2274-9

Page Count: 464

Publisher: Kensington

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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