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CODE OF CONDUCT

Intriguing subject, terrible execution.

A novel of romance and intrigue from former Marine Merritt (Secrets of a Gay Marine Porn Star, 2005).

Don, a Marine, and his best friend Eddie, a sailor, are part of a closely knit group of gay men and women in uniform. These individuals have made careers for themselves in the military, and the life they have chosen means they must keep an essential part of themselves a secret from all but their closest friends who share that secret. But it’s 1993, and there’s a glimmer of hope on the horizon: Bill Clinton has just been inaugurated, and he’s promised to end the ban on gays in the military. Don’s circle of friends has other reasons to be optimistic, too. Eddie is just beginning to emerge from the despair that overwhelmed him when he lost his lover to AIDS, and Don has embarked on an exciting new relationship with the sweet and handsome young Patrick, a marine eager to finally embrace his sexuality. But the happiness Don and his friends experience is short-lived. Clinton’s promise turns into the compromise of “Don’t ask, don’t tell.” And the gay marines and sailors of San Diego face a more immediate threat in the form of Jay Gared, an agent for the Naval Investigative Service who will do anything—anything—to expose homosexuals in the military. Merritt makes a persuasive case when he argues that a policy meant to foster cohesiveness actually creates a class of servicemen and servicewomen who can never wholly trust their brothers and sisters in arms. And his depiction of the crushing disappointment and sense of betrayal felt by many gays in the military when Clinton was unable to deliver on his pledge is poignant. But the narrative is a mess. The main characters are flimsy and Agent Gared, the villain, is a cartoon. The plot is both overblown and underdeveloped. The dialogue is, more often than not, painfully stilted, and the pace is frequently excruciating.

Intriguing subject, terrible execution.

Pub Date: Jan. 8, 2008

ISBN: 978-0-7582-2274-9

Page Count: 464

Publisher: Kensington

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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