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HASDAI IN THE GOLDEN AGE OF AL-ANDALUS

A historically impressive presentation, despite flat prose and a tendency to meander away from the main narrative.

In this political drama set in the middle of the 10th century, a Jewish doctor in Spain is recruited by the ruling caliph to spy on his enemies.

Hasdai ibn Shaprut occupies an uncommon position in Córdoba’s political scene. He’s not only a successful physician, but also the sole Jewish member on Caliph ar-Rahman’s council of advisors. Under the caliph’s rule, the kingdom has flourished, and it’s generally regarded as the “most productive, most peaceful, most learned of any for 1000 years.” Although Jewish people are not afforded all of the liberties that the Muslims around them enjoy, they are allowed to worship as they please, as are Christians. Then the kingdom comes under attack from Berbers from the south, as well as from Christians from the northern kingdom of Léon, which is led by King Sancho I. As a man who’s considered to be “perhaps the most trustworthy man in the entire Caliphate,” Hasdai is recruited to become a spy and travel to Léon with Jewish merchants of his choice to gather information and send it back to Córdoba. However, when he finally arrives in Léon after a perilous journey, Sancho has been replaced by King Ordono, who proves to be an intractably bellicose and vulgar replacement. Author Malmed (Joseph’s Redemption, 2018, etc.), in a meticulously researched recreation of the historical period, dramatically traces the increasingly dangerous mission that Hasdai undertakes, which becomes even more treacherous when the caliphate arranges for him to be kidnapped.   Overall, readers will likely find Malmed’s work to be an intellectual marvel. Not only is his depiction of the time accurate in its details, but it skillfully tackles the theological divisions that roiled it, as well. At the heart of the drama is an exploration of heresy, and the extent to which a deviation from philosophical orthodoxy is an innovation, or a threat to what binds a society together. For example, the author furnishes a compelling profile of the Burgomils, a Christian people who were savagely persecuted by both French authorities and the Pope—not for rejecting Jesus Christ, but for reinterpreting him in terms that depicted him as more human than divine. Also, the author raises provocative theological questions about the textual relationship between the Old and New Testaments, as well as the political implications of the Muslim faith. His prose, however, is more academic than literary in style, and although it’s unfailingly lucid throughout, it’s also rather pedestrian. As a result, the book often reads like an uneasy marriage of a textbook and a novel. Also, it features too many peripatetic digressions, and its soap-operatic complexity can be exhausting to unravel. Nevertheless, Malmed manages to give readers an intriguing glimpse into a time of great relevance today—an era in which progress, peace, and religious tolerance were able to coexist. Even when its novelistic aspects falter, it remains a bold, edifying, and impressive historical tableau.

A historically impressive presentation, despite flat prose and a tendency to meander away from the main narrative.

Pub Date: May 30, 2019

ISBN: 978-1-73305-617-5

Page Count: 340

Publisher: Toplink Publishing, LLC

Review Posted Online: Sept. 4, 2019

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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