A celebrated Southern memoirist delivers a spirited book about a hell-raising dog and his effect on the author’s life.
The Pulitzer Prize–winning journalist and bestselling author puts a fresh spin on a classic theme: A wounded man rescues a wounded pet that in turn rescues him.
Bragg’s engaging tale of his life with an unruly Australian shepherd is the latest of his tragicomic memoirs of his family, which began with All Over but the Shoutin’ and continued with Ava’s Man and The Prince of Frogtown. Together, these books comprise one of the finest—and certainly the most comprehensive—group portraits of a poor, White Southern clan to appear in the past quarter-century. This installment finds the 60-year-old author back in Calhoun County, living in his mother’s basement (working “exactly eleven steps from where I go to sleep”) after bouts with pneumonia, heart and kidney failure, and non-Hodgkin’s lymphoma that led to “chemo brain.” Lonely and depressed, Bragg took in an anarchic, one-eyed, badly injured dog named Speck that had run wild in woods and pastures but stuck with him. With typically deadpan wit, the author writes, “This did not mean I was his master, merely his alibi, coconspirator, bailsman, and the driver of his ambulance.” Speck tried to herd a one-ton truck, picked a fight with a cottonmouth, and acted as if “every wayward possum was a sign of the end times.” But when Speck reveled in simple joys on his mother’s farm, Bragg found that “to see a living thing that happy” was worth the difficulties. Their story ends with a few narrative threads dropped—one involving Bragg’s brother Sam, who was diagnosed with pancreatic cancer during the writing of this book and died after its completion—but the abrupt conclusion doesn’t diminish an estimable cycle of books. Let’s hope they will someday appear in uniform editions with an introduction that would help readers see them all in context.
A celebrated Southern memoirist delivers a spirited book about a hell-raising dog and his effect on the author’s life.Pub Date: Sept. 21, 2021
ISBN: 978-0-525-65881-8
Page Count: 256
Publisher: Knopf
Review Posted Online: June 24, 2021
Kirkus Reviews Issue: July 15, 2021
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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