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BRINK OF LIFE

From the Brink of Life Trilogy series , Vol. 2

An immersive and satisfying science fiction thriller.

A woman wakes up in a body not her own in this novel from Moskovitz (A Stand-in for Dying, 2019), the second in his Brink of Life trilogy.

January 2059. After somehow losing consciousness, a woman comes to at a funeral—the funeral of her husband, Arlo Kresky. The only problem? She’s never seen the man said to be her husband. Indeed, when she gets in front of a mirror, she’s never before seen the person looking back at her, either: “It was a pretty face. Some might say exquisite. Her hair was jet black and straight, falling almost to her shoulders….Even after this close inspection, there wasn’t a trace of familiarity. The face in the mirror remained a stranger.” She is apparently the widow Petra Kresky, but she does not associate this beautiful, bruise-covered woman with herself. Is she suffering from amnesia? No, because she does have a sense of her former self and of a woman named Macklyn. She learns from her household android that Petra, despite being 42, is kept at the biological age of 20 by some mysterious technology. She also discovers that the dead Arlo was obsessed with immortality and that Petra has been carrying on an affair with Arlo’s hired biographer, Connor. As she digs into the truth of her identity, she uncovers a truly remarkable web of secrets: a clandestine program to keep the rich young forever, a government spy organization, and an anti-immortality hacker group bent on bringing it all down. Moskovitz tells the story with urgent concision, his prose brisk and clear: “She disembarked and melted quickly into a rush hour crowd, hurrying home or to their chosen entertainment of the evening. The sides of skyscrapers were lit with images from the day’s events. She stopped short in front of one such display that featured an image of Connor rising eight stories high.” This makes the story a quicker and more satisfying read than even the previous volume in the series (which is related to this one but not necessary to have read to understand it). With his thoughtful exploration of the ethical consequences of technology and class division, Moskovitz offers another sci-fi morality tale in the tradition of Philip K. Dick and Black Mirror.

An immersive and satisfying science fiction thriller.

Pub Date: Nov. 2, 2019

ISBN: 978-1-73417-891-3

Page Count: 160

Publisher: Fluke Tale Productions

Review Posted Online: Jan. 27, 2020

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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