by Rick Reilly ‧ RELEASE DATE: June 8, 1996
From Sports Illustrated writer Reilly, easily the wittiest golf novel yet—the Bull Durham of the genre, and the closest thing to Caddyshack on paper we're likely to get. The golf-book genre usually falls into two categories: bios of the game's great players, first, and quasi-spiritual agons, second, such as Steven Pressfield's The Legend of Bagger Vance (1995), in which sulking has-been linksters return to the fairways to redeem themselves. The former are written for golfers who like to read, the latter for readers who like to golf. Reilly's debut, however, stands on its own, with a gaggle of loopy characters plucked off the country's municipal courses. They have nicknames like Two Down, Thud, Crowbar, and Stick, and their course is a dogpatch strip called Ponky, where the hazards aren't sand and water but abandoned cars and shopping carts. Stick, a.k.a. Raymond Hart, is a fine golfer who's allowed his talent to decline into lethargy, whiling away his days trying to fleece his golf buddies (the ``Chops''). But his life is irrevocably altered when unexpected damage to a hedge reveals an enticing view of the Mayflower, the original snooty WASP haven. The men become consumed by the private Mayflower's perfectly manicured expanse and create a sizable betting pool to reward the first of their brethren managing to play a full 18 holes. Ray should win in a stroll; his father, unbeknownst to the other Chops, is a Mayflower member. But Ray has Oedipal problems, so he vacillates over asking his Old Man for a round. Meanwhile, his buddies devise increasingly elaborate schemes to snare the dough. The first half of the book ends with the winning of the bet. The second involves Ray's love life and a grudge match with his father. A loving, knowledgeable, laugh-out-loud portrait of the Hardest Sport There Is, as practiced by the blue-collar rakes who compose golf's most devoted fans. (Author tour)
Pub Date: June 8, 1996
ISBN: 0-385-47443-1
Page Count: 288
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1996
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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