A destitute writer in the Florida Keys is visited by the reincarnation of Ernest Hemingway.
Con Martens may only be scraping by, but in sunny Key West that’s not so bad. With plenty to drink, a job as a writing coach and two women absolutely crazy for him, Con seems to have it made. But as a former best-selling author, he’s unfulfilled, wanting to not only reclaim his former glory, but surpass it. When a jealous girlfriend takes a shot at him, the near-death experience shakes Con from his contentment, forcing him shirtless and shoeless into a familiar watering hole where he meets the accommodating and impossible Nick Adams. Nick claims to be the reincarnation of Ernest Hemingway, sent to help Con beat his writer’s block. Whether Con believes his companion is really a young Hemingway or just a look-a-like, their partnership injects his life with the excitement particular to the Florida Straight, complete with women, rum, hurricanes and a clandestine mission to Havana. Skwiot’s (Flesh, 1998, etc.) novel is not unlike the work of Kem Nunn, though instead of “surf-noir,” “beach-noir” may be the better description. Babes, booze and plenty of dubious figures propagate the book’s tropical setting, where almost anything is possible, even the unexplainable or supernatural. Key West is beautifully captured in all its shallow, hedonistic glory, and Skwiot’s ability to reveal it and its citizens in subtle, amusing ways eases the reader into this unique world. The other characters aren’t as well drawn as the setting, save for Nick/Hemingway, whose adventurous spirit and trademark misogyny are consistently depicted throughout. The only dubious moments in his portrayal are when he appears a little too much like a mouthpiece for literary editorializing. Ultimately, the novel is a writer’s tale, detailing the fickleness of inspiration and the other hardships of the calling. It’s largely self-indulgent, and for those not interested in the craft, glimpses of Key West and Con’s sexual escapades aren’t going to make his toiling more palatable.
A beautifully drawn setting without much story behind it.Pub Date: Jan. 5, 2011
ISBN: 978-0983570509
Page Count: 210
Publisher: Antaeus Books
Review Posted Online: Dec. 30, 2011
Review Program: Kirkus Indie
Categories: GENERAL FICTION
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BOOK REVIEW
While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.
Pub Date: June 15, 1963
ISBN: 0451228146
Page Count: 181
Publisher: Praeger
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: June 15, 1963
Categories: GENERAL FICTION
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Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.
When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.
Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.Pub Date: April 23, 2013
ISBN: 978-0-312-57721-6
Page Count: 416
Publisher: St. Martin's
Review Posted Online: Feb. 18, 2013
Kirkus Reviews Issue: March 1, 2013
Categories: GENERAL FICTION
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