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KEY WEST STORY

A beautifully drawn setting without much story behind it.

A destitute writer in the Florida Keys is visited by the reincarnation of Ernest Hemingway.

Con Martens may only be scraping by, but in sunny Key West that’s not so bad. With plenty to drink, a job as a writing coach and two women absolutely crazy for him, Con seems to have it made. But as a former best-selling author, he’s unfulfilled, wanting to not only reclaim his former glory, but surpass it. When a jealous girlfriend takes a shot at him, the near-death experience shakes Con from his contentment, forcing him shirtless and shoeless into a familiar watering hole where he meets the accommodating and impossible Nick Adams. Nick claims to be the reincarnation of Ernest Hemingway, sent to help Con beat his writer’s block. Whether Con believes his companion is really a young Hemingway or just a look-a-like, their partnership injects his life with the excitement particular to the Florida Straight, complete with women, rum, hurricanes and a clandestine mission to Havana. Skwiot’s (Flesh, 1998, etc.) novel is not unlike the work of Kem Nunn, though instead of “surf-noir,” “beach-noir” may be the better description. Babes, booze and plenty of dubious figures propagate the book’s tropical setting, where almost anything is possible, even the unexplainable or supernatural. Key West is beautifully captured in all its shallow, hedonistic glory, and Skwiot’s ability to reveal it and its citizens in subtle, amusing ways eases the reader into this unique world. The other characters aren’t as well drawn as the setting, save for Nick/Hemingway, whose adventurous spirit and trademark misogyny are consistently depicted throughout. The only dubious moments in his portrayal are when he appears a little too much like a mouthpiece for literary editorializing. Ultimately, the novel is a writer’s tale, detailing the fickleness of inspiration and the other hardships of the calling. It’s largely self-indulgent, and for those not interested in the craft, glimpses of Key West and Con’s sexual escapades aren’t going to make his toiling more palatable.  

A beautifully drawn setting without much story behind it.

Pub Date: Jan. 5, 2011

ISBN: 978-0983570509

Page Count: 210

Publisher: Antaeus Books

Review Posted Online: Dec. 30, 2011

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE RUMOR

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.

Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Pub Date: June 16, 2015

ISBN: 978-0-316-33452-5

Page Count: 384

Publisher: Little, Brown

Review Posted Online: May 20, 2015

Kirkus Reviews Issue: June 1, 2015

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