by Rick Walton & illustrated by Nathan Hale ‧ RELEASE DATE: July 17, 2012
Whether young readers recognize the relationship to the Parisian version or not, adults will appreciate the clever yet silly...
Just in time for Halloween, Walton and Hale (Twelve Bots of Christmas, 2010) combine their talents to become “Ludworst Bemonster,” author of a droll parody of Ludwig Bemelmans’ Madeline.
Mimicking the rhyme and pacing of the beloved classic, they introduce readers to “twelve ugly monsters. / In two crooked lines, they bonked their heads, / pulled out their teeth, / and wet their beds.” It will surprise no one to learn that the “ugliest one was Frankenstein. / He scared people out of their socks. / He could even frighten rocks.” He proves particularly challenging to Miss Devel, who late one night finds the green monster without his head. Off he goes with Dr. Bone in a horse-skeleton–drawn hearse. When the monstrous menagerie visits him at the laboratory, most “eeeeew”-inducing are the “two huge new screws” on Frankenstein’s neck. The tale leaves Miss Devel to find the remaining rambunctious monsters completely silent…because “Each had lost his head!” The illustrations have traded sunny yellow for pumpkin orange backgrounds and make comically sly allusions to the original title.
Whether young readers recognize the relationship to the Parisian version or not, adults will appreciate the clever yet silly send-up. Most children, however, will see this as just another funny monster book. (Picture book. 4-7)Pub Date: July 17, 2012
ISBN: 978-0-312-55366-1
Page Count: 48
Publisher: Feiwel & Friends
Review Posted Online: July 17, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: Aug. 2, 2022
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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