An affecting portrayal of the making of a veterinarian and the day-to-day challenges she faces.

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KYLIE'S ARK

THE MAKING OF A VETERINARIAN

In Bourke’s debut novel, a young veterinarian is inspired and sometimes tortured by her intense empathy with the animals she treats.

Kylie Wheeler’s route to a career in veterinary medicine begins with an after-college job with the National Park Service observing and protecting endangered species of shorebirds on the New Jersey coast. From there, she travels to the Bitterroot Mountains of Montana to work on a National Forest Service project to investigate the feasibility of reintroducing the Canadian lynx to the environment. In both of these jobs, Kylie faces frustrations and rewards as she learns about the unique qualities of the birds and rabbits she studies as well as the human ignorance and indifference that so often contribute to animal suffering. Discouraged by the futility of keeping picnickers from trampling rare plover eggs and alienated by scientific research that requires the deaths of its subjects, Kylie goes back to school to become a vet. She finds that even the healing of sick and injured animals is complicated by money, professional egos, and human error. Bourke does an excellent job of animating Kylie—a cynical but warm and hardworking young woman who is quick to admit and relinquish her prejudices and cares deeply about the animals in her care even when she is supposed to affect professional detachment. The novel is engagingly written and never drags or dithers. The quick changes of scene can sometimes feel a bit disjointed, but Bourke moves Kylie through her interesting careers with skill, maintaining reader interest and allowing her character to grow and develop through her widely varied experiences with animals. As a vet, Kylie articulates the particular pain of a caring medical professional treating creatures who are under the control of owners who may not value their lives or feelings very highly.

An affecting portrayal of the making of a veterinarian and the day-to-day challenges she faces.

Pub Date: April 1, 2016

ISBN: 978-0-9964201-0-5

Page Count: 216

Publisher: Lansinger Press

Review Posted Online: Jan. 24, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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THE COLDEST WINTER EVER

Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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