An affecting portrayal of the making of a veterinarian and the day-to-day challenges she faces.

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KYLIE'S ARK

THE MAKING OF A VETERINARIAN

In Bourke’s debut novel, a young veterinarian is inspired and sometimes tortured by her intense empathy with the animals she treats.

Kylie Wheeler’s route to a career in veterinary medicine begins with an after-college job with the National Park Service observing and protecting endangered species of shorebirds on the New Jersey coast. From there, she travels to the Bitterroot Mountains of Montana to work on a National Forest Service project to investigate the feasibility of reintroducing the Canadian lynx to the environment. In both of these jobs, Kylie faces frustrations and rewards as she learns about the unique qualities of the birds and rabbits she studies as well as the human ignorance and indifference that so often contribute to animal suffering. Discouraged by the futility of keeping picnickers from trampling rare plover eggs and alienated by scientific research that requires the deaths of its subjects, Kylie goes back to school to become a vet. She finds that even the healing of sick and injured animals is complicated by money, professional egos, and human error. Bourke does an excellent job of animating Kylie—a cynical but warm and hardworking young woman who is quick to admit and relinquish her prejudices and cares deeply about the animals in her care even when she is supposed to affect professional detachment. The novel is engagingly written and never drags or dithers. The quick changes of scene can sometimes feel a bit disjointed, but Bourke moves Kylie through her interesting careers with skill, maintaining reader interest and allowing her character to grow and develop through her widely varied experiences with animals. As a vet, Kylie articulates the particular pain of a caring medical professional treating creatures who are under the control of owners who may not value their lives or feelings very highly.

An affecting portrayal of the making of a veterinarian and the day-to-day challenges she faces.

Pub Date: April 1, 2016

ISBN: 978-0-9964201-0-5

Page Count: 216

Publisher: Lansinger Press

Review Posted Online: Jan. 24, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A strange, subtle, and haunting novel.

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THE GLASS HOTEL

A financier's Ponzi scheme unravels to disastrous effect, revealing the unexpected connections among a cast of disparate characters.

How did Vincent Smith fall overboard from a container ship near the coast of Mauritania, fathoms away from her former life as Jonathan Alkaitis' pretend trophy wife? In this long-anticipated follow-up to Station Eleven (2014), Mandel uses Vincent's disappearance to pick through the wreckage of Alkaitis' fraudulent investment scheme, which ripples through hundreds of lives. There's Paul, Vincent's half brother, a composer and addict in recovery; Olivia, an octogenarian painter who invested her retirement savings in Alkaitis' funds; Leon, a former consultant for a shipping company; and a chorus of office workers who enabled Alkaitis and are terrified of facing the consequences. Slowly, Mandel reveals how her characters struggle to align their stations in life with their visions for what they could be. For Vincent, the promise of transformation comes when she's offered a stint with Alkaitis in "the kingdom of money." Here, the rules of reality are different and time expands, allowing her to pursue video art others find pointless. For Alkaitis, reality itself is too much to bear. In his jail cell, he is confronted by the ghosts of his victims and escapes into "the counterlife," a soothing alternate reality in which he avoided punishment. It's in these dreamy sections that Mandel's ideas about guilt and responsibility, wealth and comfort, the real and the imagined, begin to cohere. At its heart, this is a ghost story in which every boundary is blurred, from the moral to the physical. How far will Alkaitis go to deny responsibility for his actions? And how quickly will his wealth corrupt the ambitions of those in proximity to it? In luminous prose, Mandel shows how easy it is to become caught in a web of unintended consequences and how disastrous it can be when such fragile bonds shatter under pressure.

A strange, subtle, and haunting novel.

Pub Date: March 24, 2020

ISBN: 978-0-525-52114-3

Page Count: 320

Publisher: Knopf

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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