An affecting portrayal of the making of a veterinarian and the day-to-day challenges she faces.

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KYLIE'S ARK

THE MAKING OF A VETERINARIAN

In Bourke’s debut novel, a young veterinarian is inspired and sometimes tortured by her intense empathy with the animals she treats.

Kylie Wheeler’s route to a career in veterinary medicine begins with an after-college job with the National Park Service observing and protecting endangered species of shorebirds on the New Jersey coast. From there, she travels to the Bitterroot Mountains of Montana to work on a National Forest Service project to investigate the feasibility of reintroducing the Canadian lynx to the environment. In both of these jobs, Kylie faces frustrations and rewards as she learns about the unique qualities of the birds and rabbits she studies as well as the human ignorance and indifference that so often contribute to animal suffering. Discouraged by the futility of keeping picnickers from trampling rare plover eggs and alienated by scientific research that requires the deaths of its subjects, Kylie goes back to school to become a vet. She finds that even the healing of sick and injured animals is complicated by money, professional egos, and human error. Bourke does an excellent job of animating Kylie—a cynical but warm and hardworking young woman who is quick to admit and relinquish her prejudices and cares deeply about the animals in her care even when she is supposed to affect professional detachment. The novel is engagingly written and never drags or dithers. The quick changes of scene can sometimes feel a bit disjointed, but Bourke moves Kylie through her interesting careers with skill, maintaining reader interest and allowing her character to grow and develop through her widely varied experiences with animals. As a vet, Kylie articulates the particular pain of a caring medical professional treating creatures who are under the control of owners who may not value their lives or feelings very highly.

An affecting portrayal of the making of a veterinarian and the day-to-day challenges she faces.

Pub Date: April 1, 2016

ISBN: 978-0-9964201-0-5

Page Count: 216

Publisher: Lansinger Press

Review Posted Online: Jan. 24, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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Nothing original, but in Hilderbrand’s hands it’s easy to get lost in the story.

BAREFOOT

Privileged 30-somethings hide from their woes in Nantucket.

Hilderbrand’s saga follows the lives of Melanie, Brenda and Vicki. Vicki, alpha mom and perfect wife, is battling late-stage lung cancer and, in an uncharacteristically flaky moment, opts for chemotherapy at the beach. Vicki shares ownership of a tiny Nantucket cottage with her younger sister Brenda. Brenda, a literature professor, tags along for the summer, partly out of familial duty, partly because she’s fleeing the fallout from her illicit affair with a student. As for Melanie, she gets a last minute invite from Vicki, after Melanie confides that Melanie’s husband is having an affair. Between Melanie and Brenda, Vicki feels her two young boys should have adequate supervision, but a disastrous first day on the island forces the trio to source some outside help. Enter Josh, the adorable and affable local who is hired to tend to the boys. On break from college, Josh learns about the pitfalls of mature love as he falls for the beauties in the snug abode. Josh likes beer, analysis-free relationships and hot older women. In a word, he’s believable. In addition to a healthy dose of testosterone, the novel is balanced by powerful descriptions of Vicki’s bond with her two boys. Emotions run high as she prepares for death.

Nothing original, but in Hilderbrand’s hands it’s easy to get lost in the story.

Pub Date: July 2, 2007

ISBN: 978-0-316-01858-6

Page Count: 352

Publisher: Little, Brown

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 2007

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