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SUPERSTITIOUS

First adult novel by a children's author who already sells better than Stephen King, with 45 million copies in print of his 56 titles: a serial-killer suspense story that turns into romantic horror. Stine's tale opens with a strong shock as a young woman has her scalp ripped off, spine cracked, eyes thumbed out, and insides removed; then it lapses into a kind of depthless, mirror-smooth chitchat somewhere between YA and adult levels made up before your very eyes and not bearing a second thought. Sara Morgan, 24, has lost her Manhattan job at Concord Publishing, split from her psychotic boyfriend Chip, and returned to Moore State College to earn a grad degree in psychology. At a seafood restaurant with her close friend Mary Beth Logan, she meets handsome, charming, superstition-ridden Liam O'Connor, visiting professor of folklore. He's a Daniel Day-Lewis look-alike who lives with his sister Margaret and definitely is flirting with Sara. Then Milton Cohn, dean of students, a self-amused body-builder and knife collector who's always cutting his hands, offers Sara a part-time job largely because of her big breasts (such are the book's plot ploys). Soon more bodies drop and insides spill, including those of Liam's old girlfriend from Chicago as well as Chip's from Manhattan. The irresistible Liam comes onto Sara like Maxim de Winter roping in the second Mrs. de Winter, insistently charming and marrying her. On his bad tongue days, a huge purple three-foot tongue with a mind of its own slithers out of him. But who sends Sara four bloody rabbit's feet warning her about Liam? And Margaret and Milton, well, very special things happen to them. A face-off with Liam's demons of superstition is as foreseeable as steam on a rainy window. With zillions of aging young readers awaiting his newest work, Stine's may be just the fresh-flowing jolt of harmless horror pap to turn cash registers rhapsodic. (Film rights to Miramax; author tour)

Pub Date: Sept. 14, 1995

ISBN: 0-446-51953-7

Page Count: 384

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1995

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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