The overfed conclusion to an African-American soap opera.
Johnson ties up the loose threads of his fast-paced, thuggish trilogy.
In The Million Dollar Divorce (2004) and The Million Dollar Deception (2008), Nate Kenny manipulated, interfered, bought off and blackmailed his way into the life he wanted; when wife Monica couldn’t bear him a child, he hired Lewis Waters to seduce her so he could save his fortune in a no-contest divorce. But everything has repercussions, and this final installment opens with the appearance of Freddy Ford, Lewis’ best friend, who has lost everything he loves thanks to Nate. Freddy shows up at Nate’s house, shoots him four times, shoots Monica in the head (the two were reconciling) and kidnaps their adopted son Nathaniel. He leaves Chicago for Atlanta, killing a cop on the way, to hide out with old girlfriend Joni while he figures out what to do with the toddler in the back seat and the law on his trail. Against all odds Nate survives, and Monica lies in a coma with good chances for a full recovery. The story is complicated by Daphanie, Nate’s girlfriend before he reconciled with Monica. Daphanie, pregnant by Trevor, tells Nate that the baby is really his in an attempt to woo him back while Monica is still out of commission. Lewis is trying to regain custody of his daughter Layla, who lives at Monica and Nate’s house, though he is not sure he is her biological father. Deceptions, more killing, a budding romance between Lewis and a social worker—it’s a lot of plot in one book. There are some strange, sad moments, as when Freddy and Joni reassure themselves they’d make great parents, and no one survives intact in this kind of modern pulp noir, driven by a nihilism that sees deception as the world’s lingua franca.
The overfed conclusion to an African-American soap opera.Pub Date: Sept. 1, 2009
ISBN: 978-1-4165-9626-4
Page Count: 304
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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