A savvy writer with a quick wit, Lowe invites readers into his world with easy charm and disarming frankness.
by Rob Lowe ‧ RELEASE DATE: April 8, 2014
Actor Lowe follows up his Stories I Only Tell My Friends (2011) with a potpourri of observations and reflections about youthful indiscretions, celebrity tidbits, marriage and fatherhood, addiction and the acting life.
In his Brat Pack days, the author’s good looks cast him as a leading man and, at the same time, an underrated actor. Readers will learn there’s more to him: his love of the craft; seriousness in steering his acting, writing and producing career; dedication to his wife and sons; and a keen self-awareness. He readily admits his flaws—e.g., self-centered tendencies (“[Parks and Recreation co-star] Rashida Jones claims that I am what she likes to call a benevolent narcissist”) and emotional aloofness. Given the latter, it’s no surprise that his best writing comes in astute observations of the world he inhabits rather than through introspection, which comes off as a bit forced. The strongest material demystifies the process of developing projects for TV and film or choosing and preparing for roles. Lowe approaches his work with an adventurous spirit and an eye toward improvement, and he notes how he often chooses more challenging characters rather than leading roles. Lowe obviously enjoys pointing out the absurdities of show business, as when he conjures up a hilarious conversation between an agent/manager and his client that captures the duplicitous nature of the game. Tender essays about his family show a more vulnerable side to the actor. He writes of losing it after sending his oldest son off to college, teaching the youngest boy how to stand up to a bully on the baseball field, and his glowing admiration for his wife. Readers won’t soon forget his most fearless essay, which recounts a raw, heartbreaking experience from his days in rehab for his alcohol addiction.
A savvy writer with a quick wit, Lowe invites readers into his world with easy charm and disarming frankness.Pub Date: April 8, 2014
ISBN: 978-1-4516-8571-8
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: March 18, 2014
Kirkus Reviews Issue: April 1, 2014
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by Rob Lowe
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PROFILES
by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 15, 1998
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | PHILOSOPHY & RELIGION | PSYCHOLOGY | HISTORICAL & MILITARY
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Categories: BIOGRAPHY & MEMOIR | HOLOCAUST | HISTORY | GENERAL BIOGRAPHY & MEMOIR | GENERAL HISTORY
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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