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LOVE LIFE

A savvy writer with a quick wit, Lowe invites readers into his world with easy charm and disarming frankness.

Actor Lowe follows up his Stories I Only Tell My Friends (2011) with a potpourri of observations and reflections about youthful indiscretions, celebrity tidbits, marriage and fatherhood, addiction and the acting life.

In his Brat Pack days, the author’s good looks cast him as a leading man and, at the same time, an underrated actor. Readers will learn there’s more to him: his love of the craft; seriousness in steering his acting, writing and producing career; dedication to his wife and sons; and a keen self-awareness. He readily admits his flaws—e.g., self-centered tendencies (“[Parks and Recreation co-star] Rashida Jones claims that I am what she likes to call a benevolent narcissist”) and emotional aloofness. Given the latter, it’s no surprise that his best writing comes in astute observations of the world he inhabits rather than through introspection, which comes off as a bit forced. The strongest material demystifies the process of developing projects for TV and film or choosing and preparing for roles. Lowe approaches his work with an adventurous spirit and an eye toward improvement, and he notes how he often chooses more challenging characters rather than leading roles. Lowe obviously enjoys pointing out the absurdities of show business, as when he conjures up a hilarious conversation between an agent/manager and his client that captures the duplicitous nature of the game. Tender essays about his family show a more vulnerable side to the actor. He writes of losing it after sending his oldest son off to college, teaching the youngest boy how to stand up to a bully on the baseball field, and his glowing admiration for his wife. Readers won’t soon forget his most fearless essay, which recounts a raw, heartbreaking experience from his days in rehab for his alcohol addiction.

A savvy writer with a quick wit, Lowe invites readers into his world with easy charm and disarming frankness.

Pub Date: April 8, 2014

ISBN: 978-1-4516-8571-8

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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