An engagingly written book that may heat up a cold case.
St. Clair’s debut historical novel challenges the official record of a real-life multiple murder in a small Midwestern farm community.
In 2005, 15-year-old Stacy Moody “didn’t think that bad things could happen in rural Ohio,” where she lived. But according to authorities, on May 29 of that year, her 18-year-old brother, Scott, shot and killed their mother, their grandparents, his 14-year-old girlfriend, and two other friends before fatally shooting himself. He also allegedly shot Stacy twice, but she survived. The sheriff closes the investigation just hours after the shooting occurs; according to his theory of the crime, Scott was a “disturbed young man” who was unable to handle his family’s financial issues. But Stacy, in this novel, tells investigators a different story: She describes the shooter as an older man with short gray hair and a larger build than Scott’s. St. Clair points out further intriguing inconsistencies in the case; for example, the timing of the shots that Stacy heard seems inconsistent with the official account. As presented here, it seems like an understatement when St. Clair concludes that “There is probably more to this story than the public will ever know.” This riveting novel has all the ingredients that true-crime fans crave. St. Clair served as the administrator of Scott’s estate and, for that reason, some readers may question his point of view on these events. However, he does a compelling job of chronicling them in this novel, establishing a sense of the community, profiling the participants, and making the complicated matter of a poorly written will accessible. His most searing indictment is of the investigating Logan County Sheriff’s Office: “Is it corrupt? Incompetent? Guilty of misfeasance, malfeasance, negligence, untrustworthy? All of the above?” he writes. A climactic chapter relates a phone call that the sheriff’s office received that suggests a new scenario regarding the killings.
An engagingly written book that may heat up a cold case.Pub Date: Jan. 24, 2019
ISBN: 978-1-79137-991-9
Page Count: 354
Publisher: Time Tunnel Media
Review Posted Online: April 11, 2019
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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