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BRAVE CHICKEN LITTLE

A handsome, most welcome addition to the now–sadly neglected, too-little–published literature of folk and fairy tales.

Byrd retells the familiar tale of folly and trickery, adding some outsize bravery and a happy ending.

Off on an errand for his mother, Chicken Little gets bonked by an acorn. “The sky is falling! I must go and tell the king!” The misguided chick encounters an increasing stream of equally foolish, frightened animals, from Henny Penny to Roly and Poly Moley. The menagerie of 10 encounters Foxy Loxy, who, speaking in sly rhymes, diverts them. “Oh, please, please, let me come, too! I know the best way, I do! I do!…But first, my dear friends, we’ll stop for brunch, or maybe instead, a nice little lunch.” Foxy lures the group to his cottage, where his wife and seven hungry kits wait near a steaming, but not yet boiling, cauldron. When Foxy locks the hapless stew ingredients in the basement, it’s Chicken Little who figures out an escape and outfoxes the fox. Byrd’s charming ink-and-watercolor illustrations depict the animals in old-fashioned clothing with flounces, vests and cravats. Crosshatching and intricate lines define each leaf, butterfly, bee and flower against the lush, pastoral backdrop of woods and rolling hills. The parade of fleeing animals runs right past the king’s long shadow at sunset. Safely tucked under a quilt by his mother, Chicken Little’s too exhausted to utter a word about his errant bravery.

A handsome, most welcome addition to the now–sadly neglected, too-little–published literature of folk and fairy tales. (Picture book/folk tale. 4-7)

Pub Date: Aug. 7, 2014

ISBN: 978-0-670-786169

Page Count: 40

Publisher: Viking

Review Posted Online: May 27, 2014

Kirkus Reviews Issue: June 15, 2014

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EVELYN DEL REY IS MOVING AWAY

A tender story of friendship and change.

Daniela’s “número uno best friend,” Evelyn Del Rey, is moving away. But today, for one last time, they’ll play. Just like they always do.

Daniela and Evelyn are two Latinx girls who live across the street from each other in apartments that are almost identical. One has a bedroom with “sunny yellow” walls and lives with both her parents and a cat; the other has a bedroom with “cotton candy” pink walls and lives with her mother and a hamster. But they “are mostly the same, just like [their] apartments. But not after today.” As the grown-ups pack and the moving truck is loaded, the girls enjoy one last day together. When the time comes to say goodbye, plans are made and big hugs are given. The ending hints at a friendship that lasts into future years, but the beauty of the book lies in the sheer pleasure and exhilaration exhibited by the girls as they enjoy the present moment. Newbery Medalist Medina’s versatility is in evidence here, showing she’s as much in tune with the picture-book audience as she is with older readers. With lines that go at angles and splashes of bold colors and patterns, Sánchez’s artwork is as lively and full of movement as the two girls. Layered applications of color create texture, and the interiors of their apartments are cozily beckoning. Evelyn is depicted with brown skin and locs, and Daniela with pale skin and two puffy pigtails.

A tender story of friendship and change. (Picture book. 4-7)

Pub Date: Sept. 8, 2020

ISBN: 978-1-5362-0704-0

Page Count: 32

Publisher: Candlewick

Review Posted Online: June 15, 2020

Kirkus Reviews Issue: July 1, 2020

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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