An amusing, zigzagging adventure starring an unlikely hero with a plethora of issues big and small.
McKean’s comedic novel follows a divorced father in western Pennsylvania.
Peter Sanguedolce’s ex-wife, Avis, is a tough-minded attorney. When issues come up regarding the custody of their daughter, Jeanette, he does not have a lot of sway. A good-natured slacker, Peter inherited a family business that manufactured clay piping. This business subsequently failed. Peter now tends to spend his days overeating and vaguely considering reentering the business world. When his neighbor Jacob Weiner is put into a nursing home, he develops a friendship with the cantankerous old man. Jacob was the “chairman emeritus of the Oak Grove Music School Woodwinds Department,” and, though skilled with a clarinet, he was not (according to his daughter) the most able parent. Despite Peter’s general lack of direction (at one point he takes up baking), he has some pressing issues: Avis wants to send Jeanette away to boarding school in Connecticut. This does not seem to be the best fit for Jeanette, and Peter is suspicious of both Avis and her new husband, a budding politician named Elliott Fields. Meanwhile, Peter develops a relationship with Fay Halbrunner, the woman who bought Jacob’s former home. Fay insists that she and Peter try to help Jacob reengage with life. A road trip ensues in Peter’s 1988 Cadillac Brougham. It is not the last time in the narrative he will hit the road, journeying into the unknown with good (though misguided) intentions.
The plot features multiple twists and turns: Just as it seems that the situation with Avis is resolved and that the self-assured attorney has no more use for her ex-husband, cracks appear in her relationship with Elliott. When Fay has secured Peter’s interest, she suddenly finds that she has other business to attend to. These developments hold the reader’s interest as Peter eats (and drives) his way through his problems. Many of the motivations of the characters amount to very inconsequential, mundane issues; the nagging concerns over where to send Jeanette to school aren’t particularly funny or insightful. Even as the reader discovers the real reason Avis is so keen to send their daughter away, it does not make up for previous bland conversations on the subject. When an admissions director at a school asks Peter, “What makes you think that we’re the right one for Jeanette?” his response is as dull as the question. By contrast, Elliott, the obvious villain from the start, garners much greater intrigue: What exactly is this guy after? Why is he such a jerk? How will Peter manage to outfox the wily aspiring district attorney? This aspect of the story, along with comical lines, such as when Peter complains about construction workers blasting their radios (“Does each man have his own Rush Limbaugh?”), keeps it in motion, long after the Cadillac Brougham meets its own unhappy demise.
Pub Date: N/A
ISBN: 9781604893410
Page Count: 338
Publisher: Livingston Press
Review Posted Online: May 3, 2023
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
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