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WORLD ENOUGH AND TIME

Short story writer, poet and Pulitzer Prize Award winner with All the King's Men, Robert Penn Warren has established his right to speak for his native Kentucky — as well as for his adoptive Louisiana. And Kentucky is once again the background and integral part of this long novel, the story of Jeremiah Beaumont. The period — early 19th century, finds Kentucky still a frontier, with the inevitable conflicts between frontier viewpoints and those of an encroaching civilization. From a background representative of those conflicts comes Jeremiah, and the story tells of his brief journeys into the other world represented by his violent grandfather, of his chance for an education in the law, of his tutelage under the esteemed lawyer and politician, Fort. Then Rachel comes into his life. His passionate and erratic courtship culminates in first a promise to kill Fort, who had betrayed her, and then marriage, the promise unfulfilled. Jeremiah's twisted conscience drove him, this way and that; Rachel's abnormal and frustrated emotions — and their strange, perverted relationship —drove him further, and eventually he killed. Fort. A large portion of the book is concerned with the trial, while Jeremiah's confession and apologia is woven into the very texture of the story. Eventually, on the very verge of execution, his friend, (who is proved finally to have been his betrayer) Wilkie, engineers his escape, with Rachel, against whom his anger has turned. There's another strange interlude of seclusion in a western island colony — then Rachel's death and eventually Jeremiah's violent end. An unusual and difficult book —oddly dated in style and substance, but an authentic mirroring of the moods and passions of the times.

Pub Date: June 20, 1950

ISBN: 0807124788

Page Count: 484

Publisher: Random House

Review Posted Online: Oct. 6, 2011

Kirkus Reviews Issue: June 1, 1950

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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