A fresh and amiable story that offers a fascinating glimpse of the inner world of boxing and manages to make it appear...
From boxing enthusiast/TV producer Fried (Corner Men, 1991): a first novel about the transformation of a nerdy Manhattan English teacher into a prizefight manager.
Vincent Rosen never had much in common with his father. Basically, Vincent was a spoiled brat, a nice Jewish boy from New York who slid through prep school and the Ivy League on his old man’s dough and ended up inheriting enough of it that he could afford to indulge himself by working as schoolteacher (and at a private school, at that). His father, Solly, on the other hand, was a real live wire—a rags-to-riches boy who made a fortune in the garment trade and invested in professional boxers. At his death, he had only one request for Vincent: Take care of my Palookas. So Vincent soon finds himself stumbling into a world he knows nothing about, hoping against hope that he won’t mess up too dramatically. His main prospect at the moment is Mickey Davis, a white contender from Pittsburgh who packs his groin full of ice in restaurants and believes that beer will help him lose weight. Mickey’s trainer Harry is a black conspiracy theorist who thinks that Vincent is the first Jew in history without a head for business—a view seconded by his publicist Bessie when Vincent balks at bribing sportswriters. Even Mickey begins to have some reservations about Vincent when he invites two bookies to pull up chairs and join them for dinner in a Midtown steakhouse. So why does Vincent stick with it, given that he never really liked his father that much anyway? Maybe it has something to do with finding his way in a world that’s more real than his classes on Joyce and Proust and Pound. Maybe he is Solly’s boy after all.
A fresh and amiable story that offers a fascinating glimpse of the inner world of boxing and manages to make it appear equally shabby and attractive.Pub Date: April 1, 2004
ISBN: 1-57962-101-5
Page Count: 174
Publisher: Permanent Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2004
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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