City mouse wreaks havoc in the gentrified country in this lackluster British soap, paced like interminable knitting—knit one, pearl two, sex, lactation, adultery, chintz, tears, cases of dry wine, eggplant-purÇe rosettes in pastry shells, knit one. In another formulaic romance from Rosie Thomas (All My Sins Remembered, 1992), Nina Cort (nÇe Strange), a 35-year-old widow often described with reference to her prominent bones, nubs, and ridges, leaves a tear-stained, antique-filled existence in London- -and the house in Norfolk—to bloody well get on with her life (``She had cried more than enough for now''). Nina buys a Georgian row house in Grafton, the medieval country town where she grew up, installs her Queen Anne chest-on-chest, and proceeds to topple over the picture-postcard marriages of five 30-ish upper-middle-class couples—the Frosts, Wickhams, Cleggs, Ransomes, and Roses—who have settled into their family lives like fat around middle-aged thighs. Nina sleeps with Gordon Ransome, whose ``bovine'' wife, Vicky, has just had another baby. Then Vicky takes up with Darcy Clegg to show that she can do it, too. Then Darcy's wife has sex with Michael Wickham in the Bedouin tent folds of the dressing room of her posh dress shop. Then Marcelle Wickham propositions Jimmy Rose, who is already, regretfully, sleeping with Darcy's 19-year- old daughter. Then Nina, through with Gordon, who has been forgiven by Vicky, begins a liaison with Darcy's healthy 25-year-old boy Barney. And Star Rose, who makes a pass at Nina, gets fed up and moves to Portland, Oregon. Nina, pregnant and reborn, returns to London, leaving the remaining 4´ couples sadder, wiser, and still drinking wine. With all this, it's a dreary tempest. Maybe you just have to be British. (Book-of-the-Month alternate selection)

Pub Date: May 24, 1994

ISBN: 0-688-12962-5

Page Count: 320

Publisher: Morrow/HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 1994

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An enjoyable, cozy novel that touches on tough topics.


A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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