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THE WITCHES' HOLLOW

A complex and intensely cinematic fantasy debut.

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A man wrestles with his past while attempting to free a village of an evil entity in this debut paranormal thriller. 

Scarlet’s novel focuses on Arthur Montesque, a downtrodden alcoholic and former professional investigator who’s seen happier days. However, one fateful day, he receives a mysterious letter requesting his assistance on a life-changing assignment. The sender, an antiques collector named L.A. Calesanti, wants Montesque to conduct business on his behalf in the small, heavily forested hamlet of Lost Hollow, which, he writes, will feel like “stepping through a portal to the past.” With lucrative compensation provided in advance, Montesque jumps at the opportunity and soon arrives at a forest’s edge after days of traveling on foot and horseback; meanwhile, back at home, his abode mysteriously bursts into flames and burns to the ground. Montesque finally arrives in the town, which features ominous caves, black “Shadowspire” mountains, and superstitious citizens who are terrified of the path into the woods that borders their home. The strange new surroundings seem to play with the investigator’s sense of reality, but they’re also where he discovers that he has hidden powers of his own. In the town, he meets a local barmaid named Vanessa, whom he instantly lusts after, and Scarlet’s heavily detailed descriptions of Montesque’s sexual dalliances (with Vanessa and others) add zest and spice to the novel. In a series of cryptic letters, Montesque is charged with looking into the disappearance of Calesanti’s assistant, who went missing after attempting to locate and purchase an ancient relic. While in the tiny hamlet, Montesque also wants to investigate a vicious forest “beast” called the Morrowen, which he saw during his ride into Lost Hollow. As he and Vanessa become closer, she explains to him that the town is powered by magic, which she calls the “one thing that science will never be able to explain”—and which made the path that he followed into the town suddenly disappear. Banding together with Briar, a local huntsman, they set out to conquer the terrible evil that lives in the woods. However, Scarlet proves to be a highly imaginative author and has much more in store for readers of this serpentine tale of sorcery and wizardry. In one memorable scene, for example, demons reveal a “spectral lens” conduit that they use for transportation, as crackles of black energy snap across Montesque’s vision. Slowly but surely, the protagonist draws closer to solving the mystery of the missing assistant while also fiercely battling creatures lurking in the forest’s shadows—including an enemy that no one saw coming. The author fills this novel’s energetic plot with unexpected twists, and it’s clearly written with seasoned horror-fantasy fans in mind. Scarlet is also quite adept at characterization and ably conjures occult elements as part of the overall worldbuilding. One notable scene involving demons battling a surprisingly powerful Montesque in a dream realm and another involving Calesanti and his daughter are rendered in an especially vivid manner.

A complex and intensely cinematic fantasy debut. 

Pub Date: Oct. 22, 2019

ISBN: 978-1-951237-00-4

Page Count: 358

Publisher: Lonely Lighthouse Publications

Review Posted Online: Dec. 13, 2019

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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