Too much wuthering, too few heights in a story which describes eternal passion but doesn’t give it life or a satisfactory...
He’s a bad boy from the trailer park; she’s a princess in small-town Vermont; but their electric connection spans class and time. Sound familiar?
The second-best thing that happened to young Roy Murphy was being sent to juvenile detention after firing a gun to scare off the drug dealer preying on his mother. The best thing was his magical 10-week teenage affair with Emma Herrick, the beautiful blonde daughter of Hoosick Bridge’s first family. In his fourth novel, Willett (Present Value, 2003, etc.) updates the star-crossed love story of Wuthering Heights, while adding dashes of Homer, Jane Eyre and a Band of Brothers–style camaraderie. The looping narrative, full of foreboding and forewarning, is at its strongest during scenes of Murphy’s five-year military term in Afghanistan. Returning, he learns of Emma’s father’s financial disgrace and suicide and Emma’s engagement to nice, preppy lawyer George. Roy now devotes himself to making money, so successfully that two years later he can buy Emma’s family home, the Heights, which he shares with Emma’s half-demented mother and George’s boho sister Izzy, who is now Roy’s occasional lover, until a mysterious fire redraws the landscape.
Too much wuthering, too few heights in a story which describes eternal passion but doesn’t give it life or a satisfactory ending.Pub Date: March 5, 2013
ISBN: 978-1-4516-6702-8
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Dec. 15, 2012
Kirkus Reviews Issue: Jan. 1, 2013
One of the most bittersweet love stories in modern memory and a book to savor even while despairing of its truths.
Hamid (Discontent and Its Civilizations, 2014, etc.) crafts a richly imaginative tale of love and loss in the ashes of civil war.
The country—well, it doesn’t much matter, one of any number that are riven by sectarian violence, by militias and fundamentalists and repressive government troops. It’s a place where a ponytailed spice merchant might vanish only to be found headless, decapitated “nape-first with a serrated knife to enhance discomfort.” Against this background, Nadia and Saeed don’t stand much of a chance; she wears a burka but only “so men don’t fuck with me,” but otherwise the two young lovers don’t do a lot to try to blend in, spending their days ingesting “shrooms” and smoking a little ganga to get away from the explosions and screams, listening to records that the militants have forbidden, trying to be as unnoticeable as possible, Saeed crouching in terror at the “flying robots high above in the darkening sky.” Fortunately, there’s a way out: some portal, both literal and fantastic, that the militants haven’t yet discovered and that, for a price, leads outside the embattled city to the West. “When we migrate,” writes Hamid, “we murder from our lives those we leave behind.” True, and Saeed and Nadia murder a bit of themselves in fleeing, too, making new homes in London and then San Francisco while shed of their old, innocent selves and now locked in descending unhappiness, sharing a bed without touching, just two among countless nameless and faceless refugees in an uncaring new world. Saeed and Nadia understand what would happen if millions of people suddenly turned up in their country, fleeing a war far away. That doesn’t really make things better, though. Unable to protect each other, fearful but resolute, their lives turn in unexpected ways in this new world.
One of the most bittersweet love stories in modern memory and a book to savor even while despairing of its truths.Pub Date: March 7, 2017
ISBN: 978-0-73521-217-6
Page Count: 240
Publisher: Riverhead
Review Posted Online: Dec. 5, 2016
Kirkus Reviews Issue: Dec. 15, 2016
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Though Christie fans may be particularly delighted, this propulsive, pitch-perfect thriller has something for everyone.
A group of friends at a British college, all connected to the same charismatic scholar of Agatha Christie’s work, are torn apart by secrets and deceptions.
When Jess Walker begins to contemplate going to college, there is only one clear choice: She has to attend the university where Dr. Lorna Clay teaches. Lorna is the author of The Truants, a brilliant work arguing that great artists must destroy their personal lives to create, which has captured Jess’ imagination ever since she was given the book by her uncle. Once Jess starts college in East Anglia, she strikes up a friendship with Georgie, a wealthy socialite with a proclivity to dipping into her mother’s pill drawer; Alec, a 20-something white South African journalist on fellowship at the university; and Nick, a geology student who quickly falls for Jess. A middle child from a farming village, Jess instantly feels her life become more vibrant in the company of her exotic companions. And at the head of it all is the brilliant Lorna, who permeates the boundaries of their lives as students to attend their parties and become their confidante and, eventually, their friend, especially to Jess, who wants to follow in Lorna’s footsteps professionally and personally. But as the relationships among the five become more and more tangled, a tragedy suddenly shatters their lives, forcing Jess to confront the illusory nature of really knowing another. Aside from some slight plausibility issues (if only teenagers’ lives were changed by works of literary scholarship!), Weinberg has written one of the best thriller debuts in recent years, with all the cleverness of Ruth Ware (and, yes, even Christie herself) and a dash of Donna Tartt’s edgy darkness.
Though Christie fans may be particularly delighted, this propulsive, pitch-perfect thriller has something for everyone.Pub Date: Jan. 28, 2020
ISBN: 978-0-525-54196-7
Page Count: 320
Publisher: Putnam
Review Posted Online: Sept. 1, 2019
Kirkus Reviews Issue: Sept. 15, 2019
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