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The Millionaire's Cross

Like a familiar roller-coaster ride; readers may see where the story’s headed but that doesn’t make it any less exhilarating.

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In Nudo’s (Phantom Reunions, 2005, etc.) thriller, three men need only do a small favor to win a big fortune; unforeseen consequences ensue.

Alex Neitzel’s annual trip with little brother Trevor to visit the spot where their sister killed herself takes an unexpected turn. Alex’s car dies, and the men, along with Trevor’s partner, Chad, are stranded. At a nearby cemetery, they help the elderly David Kendrick, who had collapsed. David thanks them with an offer of $50 each if they simply mail a letter for him, promising more money later for more favors. The next one, though, is a doozy—kill David’s wife, which he claims will be a mercy killing—but the pay is commensurate with the request, $5 million to split three ways. The guys seem reluctant but soon are on a trail of lies and murder, especially because $5 million goes a lot farther if it’s split just two ways or not at all. The author’s methodically paced (but never plodding) novel establishes its tone early. David is immediately unnerving. Alex seems like the levelheaded one of the trio, chauffeuring the couple, who are more interested in getting high than finding a way home. Plot twists abound. The initially likable protagonist, with his pregnant wife, Emily, at home, gets decidedly unlikable as the story progresses. But with each appalling act, the characters grow increasingly fascinating. There are so many shocks in Nudo’s book that readers are bound to guess at least some of the developments. But Nudo knows to keep the plot spiraling while allowing a startling event to resonate before the next one occurs.

Like a familiar roller-coaster ride; readers may see where the story’s headed but that doesn’t make it any less exhilarating.

Pub Date: July 24, 2014

ISBN: 978-1-4997-0861-5

Page Count: 194

Publisher: CreateSpace

Review Posted Online: Aug. 24, 2015

Kirkus Reviews Issue: Oct. 1, 2015

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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