THE COINCIDENCE ENGINE

Name: THE COINCIDENCE ENGINE
Author: Sam Leith
ISBN: 978-0-307-71642-2

by Sam Leith ‧ RELEASE DATE: Feb. 7, 2012

Leith’s narrative runs mildly manic after a while, but the dichotomy between his unruffled prose and the mad events at hand...

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When a British student comes to possess a physics-bending device, all hell breaks loose on his journey across America.

Former Telegraph editor Leith (Sod’s Law, 2009, etc.) spins a bewildering tale of cat-and-mouse, theoretical science and conspiracy theories in a novel that sometimes threatens to baffle its audience. A comic thriller whose characters are all deadly serious, the book shows much of the same imaginative verve as Steven Hall’s mind-bender The Raw Shark Texts (2007). The pursuers in the book are all chasing Alex Smart, a Cambridge post-grad who has impulsively flown to America to propose to his girlfriend in San Francisco. But strange happenings are afoot around Alex. The young man has inadvertently acquired a device dubbed The Coincidence Engine, which affects the way probability works and grows more powerful each time it works. This explosive effect has attracted the attention of the Directorate of the Extremely Improbable, a collection of Men (and Women) in Black led by the ambitious Red Queen. “Our job is to assess threats to national security that we don’t know exist, using methods that we don’t know work,” she says. “This produces results that we generally can’t recognize as results, and when we can recognize them as results, we don’t know how to interpret them.” We also get a satisfying back story about the engine’s mad creator, Nicolas Banacharski, who is loosely based on the reclusive mathematician Alexander Grothendieck. Trying to put things right, or at least turn them off, are Bree and Jones, a level-headed DEI agent and her psychotic partner. In Alex’s path, a 737 materializes out of a hurricane, traditional machinery malfunctions and the inevitable frogs fall from the sky. It’s a little Gravity’s Rainbow with a pinch of airport thriller and a dash of The X-Files, and a dizzying stir.

Leith’s narrative runs mildly manic after a while, but the dichotomy between his unruffled prose and the mad events at hand ultimately foster a savvy comedic groove.

Pub Date: Feb. 7, 2012

ISBN: 978-0-307-71642-2

Page Count: 288

Publisher: Crown

Review Posted Online: Jan. 17, 2012

Kirkus Reviews Issue: Feb. 1, 2012

Categories:

GENERAL FICTION

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TO KILL A MOCKINGBIRD

by Harper Lee ‧ RELEASE DATE: July 11, 1960

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:

GENERAL FICTION

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DISTANT SHORES

by Kristin Hannah ‧ RELEASE DATE: July 1, 2002

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

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Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).