by Sam Quinones ‧ RELEASE DATE: April 21, 2015
A compellingly investigated, relentlessly gloomy report on the drug distribution industry.
Discouraging, unflinching dispatches from America’s enduring opiate-abuse epidemic.
Veteran freelance journalist Quinones (Antonio’s Gun and Delfino’s Dream: True Tales of Mexican Migration, 2007, etc.) cogently captures the essence of the festering war on drugs throughout the 1990s. He focuses on the market for black tar heroin, a cheap, potent, semiprocessed drug smuggled into the United States from Nayarit, a state on the Pacific coast of Mexico. The author charts its dissemination throughout American heartland cities like Columbus and Portsmouth, Ohio, home to a huge, family-friendly swimming pool named Dreamland, which closed in 1993, after which opiates “made easy work of a landscape stripped of any communal girding.” Assembling history through varying locales and personal portraits, Quinones follows a palpable trail of heartbreak, misery and the eventual demise of seemingly harmless people “shape-shifted into lying, thieving slaves to an unseen molecule.” The author provides an insider’s glimpse into the drug trade machine, examining the evolution of medical narcotic destigmatization, the OxyContin-heroin correlation and the machinations of manipulative pharmaceutical companies. His profiles include a West Virginia father burying his overdosed son, a diabolically resourceful drug dealer dubbed “the Man,” and “Enrique,” a Mexican citizen who entered the drug trade as a dealer for his uncle at 14. Perhaps most intriguing is the author’s vivid dissection of the “cross-cultural heroin deal,” consisting of an interconnected, hive-minded “retail system” of telephone operators, dealers (popularly known as the “Xalisco Boys”) and customers; everything is efficiently and covertly marketed “like a pizza delivery service” and franchised nationwide with precision. The author’s text, the result of a five-year endeavor of remote research and in-person interviews, offers a sweeping vantage point of the nation’s ever expanding drug problem. Though initially disjointed, these frustrating and undeniably disheartening scenarios eventually dovetail into a disturbing tapestry of abuse, addiction and death. Thankfully, for a fortunate few, rebirth is possible.
A compellingly investigated, relentlessly gloomy report on the drug distribution industry.Pub Date: April 21, 2015
ISBN: 978-1620402504
Page Count: 384
Publisher: Bloomsbury
Review Posted Online: Jan. 20, 2015
Kirkus Reviews Issue: Feb. 1, 2015
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PROFILES
by Vivian Gornick ‧ RELEASE DATE: Feb. 4, 2020
Literature knows few champions as ardent and insightful—or as uncompromising—as Gornick, which is to readers’ good fortune.
Gornick’s (The Odd Woman and the City, 2016) ferocious but principled intelligence emanates from each of the essays in this distinctive collection.
Rereading texts, and comparing her most recent perceptions against those of the past, is the linchpin of the book, with the author revisiting such celebrated novels as D.H. Lawrence's Sons and Lovers, Colette's The Vagabond, Marguerite Duras' The Lover, and Elizabeth Bowen's The House in Paris. Gornick also explores the history and changing face of Jewish American fiction as expressions of "the other." The author reads more deeply and keenly than most, with perceptions amplified by the perspective of her 84 years. Though she was an avatar of "personal journalism" and a former staff writer for the Village Voice—a publication that “had a muckraking bent which made its writers…sound as if they were routinely holding a gun to society’s head”—here, Gornick mostly subordinates her politics to the power of literature, to the books that have always been her intimates, old friends to whom she could turn time and again. "I read ever and only to feel the power of Life with a capital L," she writes; it shows. The author believes that for those willing to relinquish treasured but outmoded interpretations, rereading over a span of decades can be a journey, sometimes unsettling, toward richer meanings of books that are touchstones of one's life. As always, Gornick reveals as much about herself as about the writers whose works she explores; particularly arresting are her essays on Lawrence and on Natalia Ginzburg. Some may feel she has a tendency to overdramatize, but none will question her intellectual honesty. It is reflected throughout, perhaps nowhere so vividly as in a vignette involving a stay in Israel, where, try as she might, Gornick could not get past the "appalling tribalism of the culture.”
Literature knows few champions as ardent and insightful—or as uncompromising—as Gornick, which is to readers’ good fortune.Pub Date: Feb. 4, 2020
ISBN: 978-0-374-28215-8
Page Count: 176
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 9, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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PERSPECTIVES
PERSPECTIVES
by Thomas Sowell ‧ RELEASE DATE: Oct. 4, 2011
“Ideology is fairy tales for adults.” Thus writes economist and conservative maven Sowell in a best-of volume shot through with…ideology.
Though he resists easy categorization, the author has been associated with hard-libertarian organizations and think tanks such as the Hoover Institution for most of his long working life. Here he picks from his numerous writings, which have the consistency of an ideologue—e.g., affirmative action is bad, period. It’s up to parents, not society or the schools, to be sure that children are educated. Ethnic studies and the “mania for ‘diversity’ ” produce delusions. Colleges teach impressionable Americans to “despise American society.” Minimum-wage laws are a drag on the economy. And so on. Sowell is generally fair-minded, reasonable and logical, but his readers will likely already be converts to his cause, for which reason he does not need to examine all the angles of a problem. (If it is true that most gun violence is committed in households where domestic abuse has taken place, then why not take away the abusers’ guns as part of the legal sentencing?) Often his arguments are very smart, as when he examines the career of Booker T. Washington, who was adept in using white people’s money to advance his causes while harboring no illusions that his benefactors were saints. Sometimes, though, Sowell’s sentiments emerge as pabulum, as when he writes, in would-be apothegms: “Government bailouts are like potato chips: You can’t stop with just one”; “I can understand why some people like to drive slowly. What I cannot understand is why they get in the fast lane to do it.” The answer to the second question, following Sowell, might go thus: because they’re liberals and the state tells them to do it, just to get in the way of hard-working real Americans. A solid, representative collection by a writer and thinker whom one either agrees with or not—and there’s not much middle ground on which to stand.
Pub Date: Oct. 4, 2011
ISBN: 978-0-465-02250-2
Page Count: 448
Publisher: Basic Books
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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