A luminously rendered second novel from the author of A Place Where the Sea Remembers (1993). Here, memorable pairs of mothers and daughters, caught up in the violence of recent Salvadoran history, live, love, and die for their passions. Ben°tez excels at capturing the textures of landscape, of class and period, and tells here a multigenerational saga shaped by politics but refreshingly free of polemic. Her upper-class characters are as fairly delineated as her peasants, as she tells the story of three generations of mothers and daughters whose lives intersect. She begins with the infamous massacre of 1932, when Indian peasants suspected of being communists were slaughtered in the countryside. Thirteen-year-old Jacinta and her mother, Mercedes Prieto, are the only survivors of the attack in which their home is burned and Mercedes's husband killed. The two struggle to survive. When Mercedes begins working for wealthy landowners Elena and Ernesto de Contreras, however, life improves. Elena, a more enlightened product of her class and times, has her own sadness: On the eve of daughter Magda's wedding, she discovers Cecilia, her best friend, in bed with Ernesto. Hurt and angry, she vows never to see Cecilia again, which of course has repercussions in a story that suffers from foreshadowing. As the country experiences coups and falling coffee prices, the women try to live normal lives but find it impossible. Jacinta's first love is killed for being a union supporter; Alma, her daughter by a married man, becomes a revolutionary and dies in a botched kidnapping; and Magda, who employs Jacinta and raises daughter Flor, along with Alma, loses her husband and son-in-law in the same kidnapping. Exile in Miami with a hint of a happy ending as the war heats up in the late '70s is the only option for Jacinta, Magda, and her family. A sometimes schematic but always vivid chronicle of strong women facing the challenges of living in sad and violent times. (Author tour)
Pub Date: Sept. 4, 1997
ISBN: 0-7868-6157-6
Page Count: 386
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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