Competent but no more—and, of course, one always wants something beyond mere competence from a surgeon.
Standard-issue medical procedural from CNN medical correspondent and surgeon Gupta (Cheating Death, 2009).
In this debut novel, Gupta commits some of the more common errors of Fiction 101 by telling more than showing, and then showing the mundane with as much attention as the distinctive. Thus the second sentence of the book: “Wearing bright blue polyester jumpsuits with a yellow insignia on the left front pocket and standard-issue black boots, they were moving fast.” Moving fast, check. But would it have mattered whether the uniforms were of green cotton, the badges red, the boots brown? The matter-of-factness and attention to every detail would probably serve a surgeon in theater very well, the purposes of a yarn less effectively; yet both qualities overwhelm the dramatic: “The aneurysm, a small blister on the surface of an artery, had suddenly let loose, spraying blood throughout her brain. She had likely felt a sudden thunderclap headache, and within seconds was rendered unconscious.” “One of the possible risks was damage to the olfactory nerve that ran near the cancerous growth. If that was nicked or cut, the patient would lose the sense of smell.” Just so, Gupta’s characters are of the stock variety: the hardbitten, arrogant master cutter, the encouraging mentor, the poor kid out to save the world ("the first Robidaux to consider college," the foreign resident who works twice as hard as everyone else—in short, the kind of people whom, mutatis mutandis, you’d send into combat in a World War II film, or, in this instance, into the emergency ward. In that regard, Gupta’s book makes its greatest contribution: It shows that a doctor’s life isn’t all glamour and golf on one hand or completely clinical on the other, even if most of the coitus is interruptus. All does not end well, not for certain patients and certain docs alike, but the quotidian world ticks on; it’s very much as if James Michener had attempted a medical thriller, though without the thrill and without Michener’s epic length.
Competent but no more—and, of course, one always wants something beyond mere competence from a surgeon.Pub Date: March 6, 2012
ISBN: 978-0-446-58385-5
Page Count: 304
Publisher: Grand Central Publishing
Review Posted Online: March 4, 2012
Kirkus Reviews Issue: March 15, 2012
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Honeyman’s endearing debut is part comic novel, part emotional thriller, and part love story.
A very funny novel about the survivor of a childhood trauma.
At 29, Eleanor Oliphant has built an utterly solitary life that almost works. During the week, she toils in an office—don’t inquire further; in almost eight years no one has—and from Friday to Monday she makes the time go by with pizza and booze. Enlivening this spare existence is a constant inner monologue that is cranky, hilarious, deadpan, and irresistible. Eleanor Oliphant has something to say about everything. Riding the train, she comments on the automated announcements: “I wondered at whom these pearls of wisdom were aimed; some passing extraterrestrial, perhaps, or a yak herder from Ulan Bator who had trekked across the steppes, sailed the North Sea, and found himself on the Glasgow-Edinburgh service with literally no prior experience of mechanized transport to call upon.” Eleanor herself might as well be from Ulan Bator—she’s never had a manicure or a haircut, worn high heels, had anyone visit her apartment, or even had a friend. After a mysterious event in her childhood that left half her face badly scarred, she was raised in foster care, spent her college years in an abusive relationship, and is now, as the title states, perfectly fine. Her extreme social awkwardness has made her the butt of nasty jokes among her colleagues, which don’t seem to bother her much, though one notices she is stockpiling painkillers and becoming increasingly obsessed with an unrealistic crush on a local musician. Eleanor’s life begins to change when Raymond, a goofy guy from the IT department, takes her for a potential friend, not a freak of nature. As if he were luring a feral animal from its hiding place with a bit of cheese, he gradually brings Eleanor out of her shell. Then it turns out that shell was serving a purpose.
Honeyman’s endearing debut is part comic novel, part emotional thriller, and part love story.Pub Date: May 9, 2017
ISBN: 978-0-7352-2068-3
Page Count: 336
Publisher: Pamela Dorman/Viking
Review Posted Online: Jan. 22, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK TO SCREEN
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