Who has the patience for a hero this cloying and self-important, or for plot turns this clunky?
Stolen art, Nazi collaborators in WWII rural France and a larger-than-life guitar-twanging American named Coyote add up to no more than lukewarm melodrama in British romance novelist Montefiore’s second to appear in the U.S. (after Last Voyage of the Valentina, 2006).
In 1985, Manhattan antiques-dealer Misha is shocked to discover that his beloved dying mother, Anouk, possesses a Titian masterpiece when she tries to donate it to the Met, which cannot authenticate the painting’s rightful owner. When Misha’s stepfather Coyote, who abandoned Misha and Anouk 30 years earlier, shows up, Misha turns the aging homeless man away. Immediately full of questions and regret, Misha then sets out to solve the mystery of the painting and to uncover the truth about his own history. He returns to the village in Bordeaux that he and Anouk left when Misha was seven. Until the war, Anouk had been the nanny at a privately owned winery/estate. After the war, the villagers denounced Anouk as a traitor for marrying Misha’s father, a German officer. Witnessing her brutal humiliation caused Misha to become mute. Anouk continued to work at the estate, now a hotel, until the handsome American Coyote arrived. While Anouk and Coyote fell in love, his affectionate attention gave Misha back his voice. Coyote brought them to New Jersey, where they lived happily until Coyote disappeared. In Bordeaux, Misha learns that, despite appearances, both his mother and father were anti-Nazis and that Coyote had not abandoned Misha and Anouk; he’d been in prison for murder. A mama’s boy who has never connected intimately with any other woman despite numerous gratuitous, uninspired sex scenes, Misha finds true love with Claudine, whom he first loved when he was six and who now leaves her husband to return with Misha to America. The million-dollar painting becomes largely irrelevant.
Who has the patience for a hero this cloying and self-important, or for plot turns this clunky?Pub Date: March 6, 2007
ISBN: 0-7432-7889-5
Page Count: 384
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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