Solid romantic suspense with strong characters and surprising plot twists.
A successful businessman uncovers dangerous family secrets and a long-lost love in this latest novel from Andre (Locked, Loaded, & Lying, 2015).
Devon Ashby grows up in Chicago, the eldest son of a prominent but emotionally distant businessman, Harrison Wickham. When Devon is 9, he discovers the body of his mother. Her death is ruled a suicide, but he’s convinced she was murdered. Determined to establish his own identity, he leaves home at 18 with $53 and bus tickets for himself and his high school sweetheart, Hannah Moore. Their intense relationship is the lifeline both need to cope with difficult families. He is devastated when Hannah chooses to stay to care for her dying mother. Twelve years later, Devon returns to make peace with Harrison and collect his trust fund. He discovers a family in shambles and the estate damaged by a mysterious fire. He’s shocked to discover Hannah’s company has been hired to restore the Wickham art collection. Their reunion sparks a long, simmering attraction that’s complicated by his company’s plans to tear down her apartment building. But when a second death occurs in the Wickham family home, Devon must face the ghosts of the past to protect himself and Hannah. Andre’s novel offers appealing lead characters and tightly plotted romantic suspense. Tall, dark, and devastatingly handsome, Devon could easily turn into a caricature of his ruthless and calculating father; however, carefully integrated flashbacks reveal the pain and heartbreak that drive his motivation to succeed in business and life. He meets his match in Hannah, a young woman with an equally tragic family background determined to build her own business and care for her elderly aunt. Their renewed attraction is instant but fraught with complications, including his development plan for Hannah’s neighborhood and engagement to another woman. Although their romance forms the cornerstone of Andre’s narrative, additional storylines involving the fire at the Wickham estate and Harrison’s sudden engagement to a mysterious woman are also well-developed despite a climax that’s slightly over the top.
Solid romantic suspense with strong characters and surprising plot twists.Pub Date: May 26, 2016
ISBN: 978-0-9975607-0-1
Page Count: 338
Publisher: Beach Reads
Review Posted Online: July 20, 2016
Kirkus Reviews Issue: Sept. 1, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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