Jolly ho-down spoiled by sermonizing.
Addled Texas socialite hits rock bottom.
When Blythe Young marries big Texas money, she thinks she’s set for life. As Mrs. Trey Biggs-Dix, Blythe can say adios to her blue-collar childhood. She quickly adapts to her new lavish life and learns to hold her own with the big-haired, big spending social X-rays in her universe. Just as Blythe’s getting comfortable in her Jimmy Choo shoes and Ralph Rucci satin suits, her mother-in-law sets the wheels in motion to excommunicate Blythe from the esteemed Biggs-Dix clan. When it’s all over, she is left penniless, dependent on drugs and booze with nary a friend. Blythe knows she’s really hit the depths when she’s reduced to calling on her old college chum, Millie, for help. Despite being left in the dust when Blythe was enjoying the high life, Millie happily welcomes Blythe into her modest home. Millie resides just where Blythe left her—back in a shoddy University of Texas house filled with outcasts. Millie now runs the ramshackle abode—it serves as home base for Millie’s philanthropic operations and personal ministries. This Good Samaritan refuses to listen to those around her telling her that Blythe is nothing but trouble. Sure enough, she embroils the house in one scandal after the next. Blythe’s outrageously selfish behavior may cost Millie and her housemates their home. To put things right, Blythe’s going to have to pull off her biggest scam yet. Bird (The Flamenco Academy, 2006, etc.) delivers big laughs with her spot-on examination of Texas’s high falutin’ ladies; reading about Blythe’s antics is pure, wicked fun. Sadly, this naughty treat turns mushy sweet when Bird begins to moralize. The righteous ending is unexpected—and tough to accept in a book otherwise devoted to camp and cattiness.
Jolly ho-down spoiled by sermonizing.Pub Date: June 12, 2008
ISBN: 978-0-307-26828-0
Page Count: 320
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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