A well-written, intelligent, exciting choice for readers looking to get hooked on a new fantasy series.
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Smart, sensitive, socially awkward and trapped in the suburbs, Helen Connor finds purpose and excitement by fighting dragons in a mythical land.
Rodriguez Pratt’s debut novel, the first in an anticipated trilogy, tells how Helen’s love for the Glorious Dragonfighter book series leads to her entry into the warrior training program in Erwingdon, an apparently not-so-fictional land where devious, malevolent dragons are attempting to take over and rule. Helen’s advancement through her training is well-paced and entertaining. The primary strength of the book, however, lies in the intersections between Erwingdon and Helen’s “real world” home of Hollingsworth, Texas, a typical American town struggling with the loss of industry, encroachment of sprawl and sharp divisions of wealth. Like Helen, several of her schoolmates also have parallel lives in Erwingdon, a plot device that initially seems like an eye-rolling coincidence. This conceit, however, allows the author to examine the teens’ more familiar concerns—navigating the social atmosphere of high school, grappling with authority, dealing with parental expectations, worrying about the future—through the lens of life, death and saving the world. The novel divides its time evenly between Hollingsworth and Erwingdon, and in both places, the teenagers seem real and three-dimensional. While there’s no drug use or sex, there’s plenty of swearing and fighting and some alcohol, although Helen herself abstains. Rodriguez Pratt’s skilled writing ranges from snappy, believable dialogue to evocative descriptions of an abandoned oil refinery and a terrifying dragon cave. Several plot arcs end satisfyingly in this first book of the trilogy—Helen finishes her training and wins some battles in both worlds—but a few loose ends remain. What will become of the new sorcerer’s apprentice? How will Helen’s love interests resolve, both in Erwingdon and Hollingsworth? Who is behind the dragons’ evil plot? After getting to know Helen, her friends and her worlds, readers will want to find out.
A well-written, intelligent, exciting choice for readers looking to get hooked on a new fantasy series.Pub Date: Aug. 3, 2013
ISBN: 978-0988707504
Page Count: 306
Publisher: Quail School Press
Review Posted Online: Sept. 3, 2013
Kirkus Reviews Issue: Oct. 1, 2013
Review Program: Kirkus Indie
Categories: GENERAL FICTION
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The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 22, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Categories: GENERAL FICTION
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BOOK REVIEW
PROFILES
PERSPECTIVES
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
Categories: GENERAL FICTION
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SEEN & HEARD
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