Beautiful prose and delicate handling prevent this melodrama from becoming maudlin.

TIGER HILLS

Star-crossed lovers in India at the turn of the 20th century, drawn from first-time novelist Mandanna’s family history.

In the lush region of Coorg in southwestern India, three interrelated noble families, the Nachimandas, Kambeymadas and Palladas, dominate a bucolic mountain valley. A flight of herons marks the birth of Devi, whom her grandmother Tayi recognizes as a special child. Similarly, herons are present when young Machu, a scion of the Kambeymadas, admires baby Devi's lungpower. Devi grows up with her cousin Devanna, who is adopted by her father after his mother’s suicide. The two are inseparable playmates, until Devanna’s burgeoning interest in botany and scholarly mien attracts a mentor, Reverend Gundert, the founder of a nearby mission school. Devi, a beauty, has a long history with Machu. At ten, she attends a tiger wedding celebrating Machu’s daring conquest of a tiger. From thence Machu will be known as the “tiger killer.” For years, Devi, determined to wed Machu, refuses proposals from many other suitors. Devanna, meanwhile, excels at his studies, and Gundert secures his admission to Bangalore Medical College, where he is mercilessly hazed by upperclassmen who envy his genius. Although the attraction between Machu and Devi is palpable, he won’t acknowledge it because he has, to honor a Hindu god, vowed to remain celibate for 12 years. However, Devi promises to wait for him, and in the meantime they meet in the jungle for chaste but impassioned encounters. Devanna, who has always loved Devi, is driven mad when his tormentors sodomize him and murder his beloved pet. Returning home blind drunk, he rapes Devi, and her family can find no other solution than to force a marriage between them. She gives birth to a son, Nanjappa. Sworn to secrecy by Tayi, Devi cannot reveal to the devastated Machu why she broke her promise. Tragic consequences ensue, which will alter the destinies of the three clans.

Beautiful prose and delicate handling prevent this melodrama from becoming maudlin.

Pub Date: March 9, 2011

ISBN: 978-0-446-56410-6

Page Count: 480

Publisher: Grand Central Publishing

Review Posted Online: Dec. 30, 2010

Kirkus Reviews Issue: Jan. 1, 2011

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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