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PRETTY BIRDS

A magnificent tribute, not just to the Sarajevans whose siege Simon reported, but to the indestructible human spirit.

More civilians die in today’s wars than soldiers. But this extraordinary debut illuminates a time and place where civilians fought back: Sarajevo, 1992.

How do you write a novel about the savage ethnic cleansing of the Balkan Wars that isn’t unbearably depressing? Simon (award-winning NPR journalist) has the answer. First, you focus on a sidebar story, with a sympathetic protagonist (the movie Hotel Rwanda took the same tack). Second, you don’t minimize the horror, but you get the worst of it out of the way early. Sarajevo’s agony began in April 1992, when the multiethnic, cosmopolitan city’s belief that it was immune to ethnic hatred was smashed like an eggshell. The protagonist here, 17-year-old Irena Zaric, is a high-school basketball star. Her father is Serb, her mother Muslim; her brother is out of the country. The remaining member of the family is Pretty Bird, a beloved parrot with an amazing repertoire of sounds. Serb paramilitaries roust the family from their apartment building; Mr. Zaric is roughed up; Irena is raped. They trek to a Muslim neighborhood only to find grandmother shot dead; they camp out in her apartment. No heat, no light. Irena is recruited as a sniper by the wily Tedic, who, as an assistant principal, understands the adolescent: her athlete’s reflexes make her ideal. In a coming-of-age no parent would wish on his or her child, Irena asks the hard questions: What about innocent Serbs? How are we different from Serb snipers? But she overcomes initial misgivings and excels at her work, and the story zips along with crisp dialogue and plenty of gallows humor. Simon has an eye for the telling detail (the fascination with Western pop icons) and for the larger picture: the ineffectual Blue Helmets (UN troops), the shaky alliance between Bosnian Muslims and fundamentalist Arabs. He even manages a cliffhanger ending.

A magnificent tribute, not just to the Sarajevans whose siege Simon reported, but to the indestructible human spirit.

Pub Date: May 3, 2005

ISBN: 1-4000-6310-8

Page Count: 352

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2005

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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