Another Irishman’s reimagining of classical epic’some 75 years after Joyce’s Ulysses—gives impressive depth and pathos to this first novel from the versatile writer best known for his recent play The Steward of Christendom. Barry’s eponymous hero is “exiled” from his home in Sligo when a passion for the culture of his beloved France inspires him to enlist in the British Merchant Navy (in 1916). But Eneas is shipped instead to Galveston, Texas, and his disillusionment increases when he returns to Sligo to a traitor’s welcome. Making matters worse, he joins the Royal Irish Constabulary and is subsequently marked for execution by his homeland’s revolutionaries, one of whom—his boyhood friend Jonno Lynch—dedicates himself to pursuing the vagrant Eneas. The elusive wanderer’s travels then take him to England, France at last (where he literally labors in vineyards), furtively back home to visit his subdued (though still loving) parents and sister Teasy (now a cloistered nun), and, most interestingly, to Nigeria as another World War looms. But Lagos—as Eneas ruefully notes, a near anagram of “Sligo——is also haunted by “Deathly, killing, seducing politics,” though there is the lifelong friendship Eneas forms with Harcourt, an epileptic native Nigerian with whom he’ll eventually be reunited when at last, in his 70th year, he returns to Sligo to await the carrying-out of the sentence pronounced on him decades before. Eneas’s story, which climaxes with a surprising fulfillment of the violent fate he has long expected, is crowned by a complex and honestly earned vision of “redemption.” And Barry tells it in a gorgeous, mellifluous rush of passionate language that often alludes specifically to Virgil’s Aeneid (it’s especially tempting to view Harcourt as a male counterpart of Aeneas’ beloved Carthaginian queen Dido) while accommodating both magnificent invective (“You low dog on all fours, you poor fighting pup with your tail bitten off by a tinker at birth”) and sorrowfully lyrical meditations on the ruin of Eneas’ country and people. One of the best novels out of Ireland in many a year.
Pub Date: Aug. 1, 1998
ISBN: 0-670-87828-6
Page Count: 320
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1998
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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