by Sergio Chejfec ; translated by Heather Cleary ‧ RELEASE DATE: Oct. 15, 2013
A wistful, winding contemplation of that long dark night of the soul.
In this novel from Chejfec (The Planets, 2012, etc.), originally published in 2000 in the author's native Argentina, a man remembers his relationship with a factory worker whose life was different from his own.
Readers will find here a meditation on the working class, the circle of life and the pitch blackness of night. The nameless narrator tells the story as a remembrance, albeit one that haunts him. “It has always unsettled me that geography does not change with time, with the changes that take place within it, within us,” Chejfec begins. Every day, this writer sees a woman, Delia, get off a bus at the street corner near his home. Gradually, the pair begin to take long walks through the wastelands of the slums, as Chejfec lays out the geography of their nocturnal promenades, both literal and emotional. They become lovers locked in a secret embrace. However, the writer’s interest in Delia also extends to her work in a local factory. Coming from such a distinctly different social class from her intellectual paramour, she seems very alien to him, and he ruminates at length about the affect her work has on her, her relationships with co-workers and so on. There is much talk of the titular dark along the way. “Once there, I saw the silence before I saw the dark: a false murmur floated across the air, a hollow reverberation that came from nowhere in particular, but rather from the night as black as pitch,” Chejfec writes. This is a story that remains determinedly unresolved, as the writer mourns his relationship with Delia without saying what transpired. Readers who dare to navigate Chejfec’s intellectual labyrinth may find themselves mystified.
A wistful, winding contemplation of that long dark night of the soul.Pub Date: Oct. 15, 2013
ISBN: 978-1-934824-43-6
Page Count: 143
Publisher: Open Letter
Review Posted Online: Aug. 28, 2013
Kirkus Reviews Issue: Sept. 15, 2013
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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