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THE BEST AMERICAN SHORT STORIES 1990

This year's collection of North American stories suffers from a bad editorial policy: unlike the British-based series (see Gordon & Hughes, below), this annual volume includes stories that are also being reprinted this year in books by their respective authors. As a consequence, nine or so stories out of the 20 selected here have already been reviewed—almost all positively—by Kirkus in recent collections by Richard Bausch, Madison Smartt Bell, Steven Millhauser, Lorrie Moore, Alice Munro, Christopher Tilghman, and Joy Williams. Ford unapologetically includes two stories each by Bausch and Munro, and draws most of the others from the highest profile magazines—six from The New Yorker alone. All that aside, the remaining stories are a welcome batch. Lesser-known authors are represented by Patricia Henley's "The Secret of Cartwheels," a sad memory, full of repressed anger, of the narrator's four-month stay in a home for girls whose mothers cannot care for them; C.S. Godshalk's rather dazzling and un-sociological account of an inner-city savant whose lust for knowledge—as well as instinct for kindness—battles with his environment ("The Wizard"); and Pamela Houston's snappy, second-person meditation on a love affair with a man not her style ("How to Talk to a Hunter"). Newcomer Joan Wickersham's "Commuter Marriage," a yuppie whine, chronicles the difficulties of long-distance romance. Elizabeth Tallent further explores contemporary marriage and divorce in "Prowler," while Denis Johnson's equally characteristic (for him) "Car-Crash While Hitchhiking" is a hard-as-nails memory of a drugged-out vision of mortality. Dennis McFarland's timely and poignant "Nothing to ask For" finds a former alcoholic attending to his best friend dying from AIDS, the loyal buddy who set him on the road to recovery. Lore Segal's fabulistic blend of politics and magic in "The Reverse Bug" ranks with the best European fiction. But Padgett Powell's goofy narrative of a self-descried no-count booze-hound and whore-monger ("Typical") takes the honors as a work as profound as it is funny. A fair sampling of what's happening in American fiction today.

Pub Date: Nov. 1, 1990

ISBN: 039551617X

Page Count: 402

Publisher: Houghton Mifflin

Review Posted Online: Sept. 23, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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