From mega-author Sheldon (The Stars Shine Down, 1992, etc.) comes a quasi-medical romance set in a large San Francisco county hospital. The novel begins with a murder trial: Paige Taylor, a young physician, is accused of killing a terminally ill patient who left her a million dollars in his will. The situation looks bad for Paige when witness after witness testifies that the patient hated her, and an eminent surgeon calls her incompetent. Then the action flashes back five years. Paige, Kat Hunter, and Honey Taft, the only women in the new crop of residents at Embarcadero County Hospital, meet at the hospital briefing session and decide to share an apartment as they embark upon their medical careers. Sheldon has done his homework and provides plenty of detail about the rigors of interns' lives: gruelling hours, sleep deprivation, petty professional backbiting, incompetent doctors, sexual harassment. But the characters are straight from central casting and about as deep as an April mud puddle in the noonday sun of July. Paige, the soi-disant heroine, is dumped by a childhood sweetheart; she has to heal enough to accept the suit of Jason Curtis, a young architect who falls madly in love with her at first sight. Kat, a beautiful, intelligent black woman, has sworn off men ever since she became pregnant with the child of her abusive stepfather, but she has her head turned by a handsome, slick new resident who tries to get her into bed on a $10,000 bet. Honey, the dull, plain sister in a family of brilliant overachievers, compensates for her shortcomings by studying the Kama Sutra and perfecting her sexual techniques. A thin thread connects these three, who are not especially interesting in and of themselves, nor when thrown together by heavy-handed plot manipulations. For diehard Sheldon fans, this will probably do the trick. But it won't win any new converts. (Literary Guild main selection; author tour)
Pub Date: Sept. 13, 1994
ISBN: 0-688-08491-8
Page Count: 336
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1994
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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