Class, not cure, is Nunez’s preoccupation, and she handles it with fine-tuned irony and no small measure of profundity.

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SALVATION CITY

An adolescent orphan finds a home with an evangelical Christian community after his parents perish in an influenza pandemic, in the latest from Nunez (The Last of Her Kind, 2005, etc.).

In this not-so-unfathomable scenario, the American health-care system is woefully ill-equipped to cope with a long-predicted worldwide influenza outbreak. Caught in the chaos are Serena and Miles Vining, bourgeois-bohemian academics forced to leave Chicago for Indiana when Miles couldn’t get tenure. Their only son Cole has had a secular upbringing—Miles and Serena scorn fundamentalism of all stripes. When “panflu” suddenly overtakes their small town, Miles dies at home, and after several days of delirium Cole awakens in a hospital, only to learn that his mother has died, as well as his only other next-of-kin, Serena’s twin sister Addy, who lived in Berlin. He’s sent to an orphanage (the sheer number of newly parentless children has revived the need for such institutions) dominated by bullies right out of Lord of the Flies, one of many books Cole had refused to read, much to his parents’ disappointment. Rescued by Pastor Wyatt, a reformed alcoholic turned charismatic minister of a Christian enclave called Salvation City, Cole adjusts gradually to drastically different guardians: PW and his wife Tracy, like most Salvation City families, practice home schooling and exalt only one text, the Bible. Cole is surrounded by endearing born-again characters: Boots, a local radio host, Mason, a disfigured former skinhead with a heart of gold, and Starlyn, Tracy’s jailbait niece, considered a “rapture child” marked for early ascension into heaven. Although Salvation City is on full Apocalyptic alert, Cole’s domestic life with PW and Tracy is distinctly less fraught than with his parents. (Serena and Miles were divorce-bound; PW and Tracy never fight.) When Addy, not dead after all, arrives from Germany to claim him, Cole has to choose between diametrically opposed social milieus—no longer such a clear choice.

Class, not cure, is Nunez’s preoccupation, and she handles it with fine-tuned irony and no small measure of profundity.

Pub Date: Sept. 16, 2010

ISBN: 978-1-59448-766-8

Page Count: 288

Publisher: Riverhead

Review Posted Online: July 6, 2010

Kirkus Reviews Issue: Aug. 1, 2010

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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