by Simone Corday ‧ RELEASE DATE: Aug. 13, 2018
An eventful and enjoyable romp.
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In Corday’s (9 ½ Years Behind the Green Door, 2011) fantasy novel, dancers at a San Francisco burlesque theater—some living, some dead—go in search of a mobster’s money.
Alice starts working at the Moulin Rouge with her friend and fellow dancer Deirdre, who’s just confided to her that she’s pregnant and that the club owner’s son, Tommy, is the father. Soon after, Deirdre reveals the pregnancy to Tommy, who eschews responsibility and starts having an affair with a different dancer. An ensuing argument ends with Deirdre losing her footing and falling down a set of stairs, killing her. Later, Alice’s friend Miranda casts a spell of protection on her fellow dancers when the club’s ownership tries to force them into freelance employment. However, the spell has the unexpected effect of conjuring Deirdre’s ghost as well as those of other long-dead dancers. Alice and her new phantom pals soon hatch a plan to go to the Cal Neva Lodge in Tahoe, where they plan to search for Mafia cash hidden there long ago by one of the ghost’s mobster boyfriends. (They plan to open a new club, The Blue Angel, with the loot.) The ghost of Cal Neva’s former owner, Frank Sinatra, haunts the club, and the group later comes face to face with the spirit of Marilyn Monroe. This engaging supernatural adventure will particularly appeal to fans of literature set in the Bay Area, as the characters travel extensively around familiar parts of San Francisco and its environs in Alice’s Volkswagen van. It will also interest those with an enthusiasm for burlesque-theater history. The story is basically split into two sections: the group’s journey to find the Mafia money, and the bureaucratic process of opening up its new nightclub. In both parts, though, Corday makes sure that there’s a lot going on, as the dancers deal with ghost hunters filming a reality show; the return of Alice’s estranged lover; a new ghost friend, checking in on the family that he left behind; a break-in at Alice’s house; and even a lost cat.
An eventful and enjoyable romp.Pub Date: Aug. 13, 2018
ISBN: 978-1-73251-361-7
Page Count: 256
Publisher: Denizen Press
Review Posted Online: Oct. 31, 2018
Review Program: Kirkus Indie
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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