A compelling and poignant journey of self-discovery that spans continents and generations.
A Spanish American professor uncovers her rich family history in Maura’s novel.
In the 1960s, Odilia falls for a man named Zimmerman after she attends one of his lectures in Madrid. She finds out that they were both raised in Spain, but the rest of Zimmerman’s background remains mysterious. Rumors suggest that he works for the CIA, partly because he spends considerable time in the United States. After a whirlwind courtship, he convinces Odilia to move with him to upstate New York, where she serves as his teaching assistant at a small college. They marry, and Odilia gives birth to Lola—the narrator, who later becomes a professor herself; she relates the story of her parents over the course of the novel. Soon after Lola’s birth, Zimmerman disappears. Lola and her mother live in small-town Vermont and then in Massachusetts, frequently visiting Odilia’s family in Spain. Lola struggles without a father figure: “I secretly hoped he was dead, because that was the only excuse that would justify the fact that he was not with us.” As an adult, she pieces together her family history—learning, for example, that her father was in fact a prominent anti-fascist and a member of the CIA’s Congress for Cultural Freedom. The depiction of Odilia’s background feels rushed, with quite a bit of summary, but the novel shines when Lola narrates her own life. Maura vividly captures Lola’s multifaceted childhood, as in this description of her grandmother’s kitchen, where the cook pummels veal cutlets with “the menacing blows of her large gray stone, shaped like a rather flat Idaho potato.” By comparison, New England, where the adults “seem sad” and “have cottage cheese for lunch,” feels bleak, indeed. There’s a well-crafted moment when Lola is on a flight to Spain, during which she clutches motion sickness bags, chews Dramamine pills, and resents the smell of “American brewed coffee…that wafted out of the airborne kitchenette.” It’s a stunning sequence that effectively dramatizes her conflicted feelings about the two countries she calls home.
A compelling and poignant journey of self-discovery that spans continents and generations.Pub Date: Nov. 17, 2020
ISBN: 978-1-951627-12-6
Page Count: 192
Publisher: Arcade
Review Posted Online: Feb. 9, 2021
Kirkus Reviews Issue: April 1, 2021
Review Program: Kirkus Indie
Unrelenting, and not in a good way.
A young Navarrian woman faces even greater challenges in her second year at dragon-riding school.
Violet Sorrengail did all the normal things one would do as a first-year student at Basgiath War College: made new friends, fell in love, and survived multiple assassination attempts. She was also the first rider to ever bond with two dragons: Tairn, a powerful black dragon with a distinguished battle history, and Andarna, a baby dragon too young to carry a rider. At the end of Fourth Wing (2023), Violet and her lover, Xaden Riorson, discovered that Navarre is under attack from wyvern, evil two-legged dragons, and venin, soulless monsters that harvest energy from the ground. Navarrians had always been told that these were monsters of legend and myth, not real creatures dangerously close to breaking through Navarre’s wards and attacking civilian populations. In this overly long sequel, Violet, Xaden, and their dragons are determined to find a way to protect Navarre, despite the fact that the army and government hid the truth about these creatures. Due to the machinations of several traitorous instructors at Basgiath, Xaden and Violet are separated for most of the book—he’s stationed at a distant outpost, leaving her to handle the treacherous, cutthroat world of the war college on her own. Violet is repeatedly threatened by her new vice commandant, a brutal man who wants to silence her. Although Violet and her dragons continue to model extreme bravery, the novel feels repetitive and more than a little sloppy, leaving obvious questions about the world unanswered. The book is full of action and just as full of plot holes, including scenes that are illogical or disconnected from the main narrative. Secondary characters are ignored until a scene requires them to assist Violet or to be killed in the endless violence that plagues their school.
Unrelenting, and not in a good way.Pub Date: Nov. 7, 2023
ISBN: 9781649374172
Page Count: 640
Publisher: Red Tower
Review Posted Online: Jan. 20, 2024
SEEN & HEARD
SEEN & HEARD
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
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