A solid if not entirely credible historical novel.
The lives of two young women intersect in a novel that imagines the story behind a famous 17th-century witch trial in northern England.
The narrator of journalist Halls' dramatic first novel is 17-year-old Fleetwood Shuttleworth, married at 13 to Richard Shuttleworth, lord of Gawthorpe Hall. She's pregnant for the fourth time, though each of her earlier pregnancies has resulted in a miscarriage. Desperate to produce an heir so she won't be cast aside for a more fertile wife or mistress, and even more frantic to survive the childbirth she suspects may cause her death, she seeks out the help of local midwife Alice Gray. The two have become friends, and Fleetwood's pregnancy is proceeding smoothly, when Alice is accused, along with a dozen of her friends and neighbors, of witchcraft and jailed in a dungeon by a local magistrate. Fleetwood, traveling around the countryside accompanied only by her mastiff, Puck—to her husband's chagrin—must try to find a way to free Alice before she is condemned to death. The characters, places, and some of the major events in Halls' well-researched novel are historically accurate, though the author adds some fictional embroidery: There's no evidence that Fleetwood and Alice met, let alone formed an alliance. For better or worse, this is essentially the story of aristocratic Fleetwood rather than commoner Alice, who remains a shadowy figure. Fleetwood is a plucky and determined, if not particularly complex, character. Halls, whose plot sometimes relies too heavily on information concealed for the sake of narrative convenience, adds a few hints of magic to the plot, though she resists using it to get her characters out of trouble. Her main strength lies in her depiction of the difficulties of life for women in this time and place, where pregnancy and childbirth posed a real threat to life and acting in socially inappropriate ways could get one condemned to hanging.
A solid if not entirely credible historical novel.Pub Date: Feb. 19, 2019
ISBN: 978-0-7783-6918-9
Page Count: 352
Publisher: Harlequin MIRA
Review Posted Online: Dec. 8, 2018
Kirkus Reviews Issue: Dec. 15, 2018
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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