Fast-paced, lewd and extremely unconventional short stories that may appeal to fans of Mark Danielewski and David Foster...
A collection of hyperenergetic, scatological, stream-of-consciousness short stories.
Bird (Catastrophically Consequential, 2012) serves up 12 highly impressionistic stories in this revised edition of his original 2009 collection. The stories range from the frantic Harry Potter parody of “Szczmawgwhore(ts): A Pornographick Bitch-Story” to the sardonic true-crime parody of “Bobby Chushingura,” with its fierce send-up of small-town Middle America (“Bobby had grown up on the wrong side of the tracks of a rural-suburban Rust Belt town populated by wealthy equestrian enthusiasts who were only as sick as their secrets”). Also notable are the almost incoherent psychedelic ramblings of the linked stories “Gothra Schvulkopf and the Daily Grind” and “Gothra Schvulkopf and Her Pumpkin Trolls,” which, even at their most disconnected, are saved by Bird’s skilled pacing and surprisingly lovely turns of phrase: “One can espy an Amazonian jungle creeping along the edge of my bikini line. Little children burn doggie poo in paper bags on my doorstep on Halloween and run away cackling in the harvest moon dry brown leaf rustling night.” Bird is a performance artist in New York City, and many of his stories in this collection would likely be far more effective in performance, where the copious amounts of profanity would likely be funnier than they are on the page. Even so, the narrative swagger Bird brings to stories like “The Travails of Ginger Bocey” (“Her wore them dirty pants with pride, her warn’t no society lady, her life were dirty and she rubbed it in everyone’s face”) gives them a welcome, raunchy life all their own.
Fast-paced, lewd and extremely unconventional short stories that may appeal to fans of Mark Danielewski and David Foster Wallace.Pub Date: Jan. 31, 2013
ISBN: 978-0615581705
Page Count: 212
Publisher: Hysterical Dementia
Review Posted Online: April 17, 2013
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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