by Stephen F. Cea ‧ RELEASE DATE: Feb. 16, 2018
Vivid storytelling in a Faustian tale, with a few meanderings.
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A boy growing up in New York City becomes riven between good and evil in this debut coming-of-age novel.
The story opens with the unnamed narrator as an infant, timid in nature and emotionally attached to his teddy bear. His father is quite the opposite. Recently released from prison and the son of an Italian immigrant prizefighter, he is tender toward his family but has a brutal temper when crossed by others. When the narrator is being bullied at school, a man in a red sweat suit arrives, douses the culprit in gasoline, and threatens to torch him. The narrator suspects that the “red stranger” is connected to his father, and his innocence begins to slowly recede. After developing a proclivity to play truant from high school, the narrator has a chance encounter with his teacher Delbar Pahlavi, who introduces him to the joys of classic literature. The narrator’s family moves to New Jersey, where he adapts to suburbia; finds a girl, Alex; and, in time, becomes an attorney. It is at this point in his life that the “red stranger” returns, offering the possibility of great wealth, to be accrued from fixing horse races. The lure of the dark side is devilishly tempting. Cea offers a contemporary take on the classic German Faust legend, in which a demon lures the dissatisfied protagonist into temptation. This is intelligent, weighty writing. When describing his grandfather, the narrator notes: “He wasn’t courageous, just fearless. His demeanor was of a quiet confidence. Some people may have mistaken him for complacent. That wasn’t it either. He was just satisfied with the way his life turned out, and completely happy.” The portrait is followed by a pleasingly serene account of the family making wine together. These tender observations are counterbalanced by searingly pitiless passages, as when the narrator’s father urinates on a corpse, commenting: “I told him I was going to piss on his grave. I’m just saving myself the trip.” Cea proves expert in celebrating and berating the cult of masculinity in equal measure. On occasion, the author shoehorns in a philosophical debate, such as a protracted conversation between a priest and a physicist regarding Creation. Although engaging, this is somewhat incongruous to the developing narrative. But this proves only a minor distraction from a thoroughly engrossing novel.
Vivid storytelling in a Faustian tale, with a few meanderings.Pub Date: Feb. 16, 2018
ISBN: 978-0-692-57709-7
Page Count: 230
Publisher: iUniverse
Review Posted Online: Aug. 21, 2018
Kirkus Reviews Issue: Oct. 15, 2018
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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