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NEEDFUL THINGS

The old horrormaster in top form, this time with a demonic dealer in magic and spells selling his wares to the folks of Castle Rock, scene of several King novels including The Dead Zone, Cujo—and how many others? King locates his hokey Our Town in Maine, but as ever it's really Consumerville, USA, with everyone's life festooned with brand names. The cast is huge and largely grotesque, since King—wearing a tremendous cat's-smile—means to close the book on Castle Rock and blow it off the map in one of his best climaxes since Salem's Lot. Editing here is supreme. King braids perhaps a dozen storylines—with hardly a drop of blood spilled for the first 250 or so pages—into ever briefer takes that climax in a hurtling, storm-ripped holocaust whose symphonic energies fill the novel's last third. Perhaps only five characters stand out: Leland Gaunt, a gentlemanly stranger who opens the Needful Things curiosity shop; his first customer, Brian Rusk, 11, who sells his soul for a rare Sandy Koufax baseball card; practical Polly Chalmers, who runs the You Sew 'n' Sew shop, welcomes Gaunt with a devil's-food cake, and buys an amulet to relieve her arthritis; her lover, Sheriff Alan Pangborn, who buys nothing but is haunted by the driving deaths of his wife and son; and Ace Merrill, coke dealer in a bind, who becomes Gaunt's handydevil and gets to drive Gaunt's Tucker, a car that's faster than radar and uses no gas. As he has for hundreds of years, Gaunt sells citizens whatever pricks and satisfies their inmost desires. But the price dehumanizes them, and soon all the townsfolk vent their barest aggressions on each other with cleaver, knife, and gun: Gaunt even opens a sideline of automatic weapons. By novel's end, the whole town is on a hysterical, psychotic mass rampage that floods morgue and hospital with the delimbed and obliterated. Then comes the big bang. Mmmmmmmmmmmm! Leland King's glee, or Steven Gaunt's, or rather—well, the author's—as he rubs his palms over his let's-blow-'em-away superclimax is wonderfully catching.

Pub Date: Sept. 30, 1991

ISBN: 0-670-83953-1

Page Count: 704

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1991

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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