An often exemplary novel featuring characterizations that make the story feel real.
An Asian-Indian woman finds herself at the mercy of a hit man for a Native American drug gang in this thriller.
In the beginning of Pass’ (Lilith: The Descendant, 2016) novel, readers meet three seemingly disparate people whose lives revolve around a Tohono O’odham reservation in Arizona: John Moon, aka Much Loose Change, a White Mountain Apache tribal lawyer still mourning the death of his wife, Sarah; Samuel Joaquin, a Native American hit man for his brother’s drug-smuggling gang who moonlights as a serial killer; and Alison Steele, the half-Lakota, half-Chinese owner of a successful business that supplies cigarette girls to casinos on reservations across the country. When Charlie Benz, who manages the casino on the Tohono O’odham reservation, tries to buy her out, it sets a chain of events in motion that leads to Alison running for her life from the psychotic Samuel. She’s only saved by the timely intervention of John Moon, who bestirs himself to become her protector. Hard-bitten Alison, a born survivor, finds herself falling for John, who’s willing to come out of self-imposed emotional exile in order to be with her. But can he protect Alison from Samuel—or an even worse fate? Pass delivers an ingenious novel in which the characters have rare depth and compelling back stories. For instance, readers learn that John’s grandfather was a Navajo code writer during World War II, and that strong-willed Alison has gone through several different careers and values her independence. Even Samuel, a character who flirts with cliché, gets fresh life in the details of his Native American background. Overall, the reservation atmosphere gives this book a unique feel. Only at the end does the story falter with a double whammy climax that doesn’t feel properly set up.
An often exemplary novel featuring characterizations that make the story feel real.Pub Date: March 22, 2016
ISBN: 978-0-692-62926-0
Page Count: 266
Publisher: CreateSpace
Review Posted Online: June 15, 2016
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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