Intense police melodrama, circa 1957, as Solomita takes his hulking cop-hero Stanley Moodrow (Bad to the Bone, 1991, etc.) back to his early, troubled days on the job. It may be set 25 years ago, but the elements that have made Solomita's modern-day crime thrillers so invigorating are in place: There's 6'6'' Moodrow, of course, just five years on the force but already relentless—as shown in the brutally exciting near-opening scene in which the young cop, face ravaged and nose broken, batters his way to victory in the Inter-Service Boxing Championships. There's Moodrow's beloved human ant-heap of a Lower East Side and its usual complement of skin-crawling villains, this time led by ruthlessly ambitious Jewish gangster Jake Leibowitz. And there's strong—if relatively clichÇd—human drama, sparked when an old family friend asks Moodrow to look into the slaying of a Hispanic neighbor that other cops are ignoring. Moodrow agrees but treads softly, not wanting to further alienate his future father-in-law, powerful Inspector Pat Cohan, who's just given Moodrow a gold shield but who's angered because Moodrow is balking at his new post as assistant to the precinct bagman. Moodrow's a pit bull for justice, though, and when he learns that the dead Hispanic was an innocent slain by Liebowitz's crew during a shakedown, and that Cohan (who Moodrow doesn't yet know is in the mob's pocket) has quelled the investigation, he swears to take Liebowitz down. Meanwhile, Leibowitz cuts a savage swath through the Lower East Side and the Italian bosses who have forsaken him, and Cohan swears to crush the insubordinate Moodrow, who prepares to fight back—but won't that mean losing the love of Cohan's daughter, the sweet and succulent Kate? Series fans already will know that Moodrow wins this battle, but Solomita's energetic evocation of the bad old days of New York's finest will keep them nailed to the page right up to the foregone conclusion.

Pub Date: July 17, 1992

ISBN: 0-399-13730-0

Page Count: 272

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 1992

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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