Take heart, California scofflaws, from this wily treatise on the art of beating traffic tickets.
The authors run TicketBust.com, an online consultancy that specializes in “Trial by Written Declaration,” a Californian court proceeding under which drivers plead with a judge by mail to dismiss or reduce their tickets. Having handled 30,000 such cases, they are bursting with tips on getting out of tickets for speeding, running reds, illegal lane changes and other moving violations. Tickets can be challenged, they note, by impeaching the policeman’s line of sight, alleging that the radar gun mistook the defendant for some other car or documenting obscured signage. Tickets from red-light cameras fall prey to countless technicalities; they are invalid if sufficient warning of the camera’s presence was not posted, if no evidence is presented that it was functioning properly or if the ticket was not mailed within 15 days. And there’s always good old lawyerly sophistry—yes, the cop saw you using your cell phone in the car, but how could he know whether you were texting someone (illegal) or just browsing the web (100 percent possibly legal, according to plausible readings of the relevant statute)? The authors’ main recommendation, though, is to pay them to write and process your Written Declaration. (They reprint samples of their work, bristling with ferocious legalese: “[I]f the People wish to convict me of violating a signal, it is their duty pursuant to VC§ 21455.5 (c)(2)(C) to first establish that the signal was installed and operating according to the law.”) Organizationally, the book is an 18-car pile-up; Miller and Vega simply downloaded the contents of their website and blog in no discernible order, with some passages repeated several times. Still, it’s a lucid browse that makes up for its promotional slant and jumbled structure with lots of detailed, useful advice on navigating the legal system, presented in straightforward laymen’s terms. An informative, readable primer on the rules—and ruses—of the road.
Pub Date: Oct. 6, 2011
ISBN: 978-0-615551821
Page Count: 166
Publisher: Steven F. Miller
Review Posted Online: Nov. 22, 2011
Kirkus Reviews Issue: Dec. 15, 2011
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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